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Yuya Saito, Shinji Murakami, and Hiroshi Masuda Pose the Question from New York: “An Open Future” Group Exhibition Stand clear of the closing doors, Please at GOCA by Garde

GARDE is currently presenting the group exhibition Stand clear of the closing doors, Please at its art gallery, GOCA by Garde, from Thursday, July 10 to Wednesday, August 27, 2025.

GOCA by Garde is Garde’s first overseas art gallery, serving as a hub for introducing Japanese and Asian artists to the world. The gallery showcases a diverse range of works, including paintings, sculptures, and ceramics, with the aim of becoming a new cultural platform for sharing contemporary art from Japan and Asia on a global scale.

The title of the exhibition is inspired by the familiar announcement heard daily on the New York City subway: “Stand clear of the closing doors, Please.” In a world where various boundaries—national, cultural, and ideological—are increasingly closing, three Japanese artists based in New York with active international careers—Yuya Saito, Shinji Murakami, and Hiroshi Masuda—present perspectives on “reopening the doors” through the backdrop of this city. In a society marked by growing global division, cultural exclusivity, and restrictions on the movement of people, goods, and information, invisible “doors” separate us in countless ways. This exhibition seeks to question these boundaries through art and to explore the possibilities of diversity and dialogue in a world that is closing in on itself.


Exhibition Highlights

Yuya Saito
Yuya Saito focuses on the non-hierarchical and democratic structure of skateboard “ramps,” reimagining them from an urban-critical perspective to create sculptural works.

His exploration of the “relationship between people and cities” began in response to his personal experience of the 2011 Great East Japan Earthquake. Using traditional bentwood techniques, he fuses “flow” and “structure” to visualize the fluid spirituality inherent in urban environments.

This work suggests the potential for accessing free, open spaces—embodied through playful physical engagement—within the rigid systems in which we live. With the influx of street culture, such as graffiti, into art history, the boundaries between “high art” and “popular culture” have blurred.

Saito’s contemporary practice, which he calls flow-chitecture—a concept of non-hierarchical, non-authoritative spaces—seeks to bring transformative change to art history through physical and temporal “repetition.”


Shinji Murakami
Shinji Murakami is a pioneer of a new form of landscape painting grounded in 8-bit video game culture. Using a universally accessible visual language and the Atari 2600, he constructs a unique world where nostalgia and cutting-edge sensibilities intersect.

By blending viewing and participation, his work invites audiences to engage across generations and borders, using shared “nostalgia” and “playfulness” as entry points to reexamine the idea of “universality” in the post-pop era.

For this exhibition, his motif is One Hundred Famous Views of Edo by Utagawa Hiroshige, a work emblematic of Japonisme that greatly influenced Western painters such as Van Gogh and Whistler. Murakami fuses this historic masterpiece with 8-bit gaming, elevating video games as an artistic medium while creating new landscapes and experiences.


Hiroshi Masuda
Hiroshi Masuda is a visual artist who fuses Eastern philosophy with pop culture, approaching the fundamental question of “What does it mean to be human?” through charming and endearing forms of expression. Drawing on his experiences traveling to 76 countries, he examines “humanity” from a perspective that transcends cultural, political, and social boundaries.

Rooted in physics and philosophy, his works contemplate life itself, suggesting that our bodies exist through the constant replacement of molecules—an idea that evokes the Buddhist concepts of anatta (non-self) and anicca (impermanence).

By taking a panoramic view of dichotomies such as comedy and tragedy, justice and injustice, and seeking their integration, his style serves as a visual exploration of the Buddhist spirit of mubunbetsu (non-discrimination). The humor born from playful shifts in perspective delivers a sharp critique of society, while at the same time prompting us to question and reconsider our own place within it.

Although each of the three artists works in different mediums and comes from a distinct background, they share a deep resonance with the idea of creating spaces open to all—regardless of age or gender—and with perspectives rooted in the inevitability of movement, flow, and connection. In the face of a society that tends toward closure and intolerance, their works sound a quiet alarm.

Saito’s ramps symbolize open structures within the city; Masuda’s works depict the constant molecular circulation that constitutes life; and Murakami offers new perspectives through technologies and ways of thinking accessible to everyone. Together, these form a gentle mode of resistance, inviting us to imagine “reopening the doors” in our current times.

Stand clear of the closing doors, Please offers a perspective for reclaiming the possibilities of movement, connection, and dialogue in an era of closing doors. Traversing painting, sculpture, and digital media, the exhibition goes beyond a visual experience to challenge the very worldview we have held until now.


Opening Reception

On Wednesday, July 9 and Thursday, July 10, an opening reception was held for the exhibition. The three participating artists each gave remarks and provided insights into their works, sharing directly with guests the passion behind their creations and the stories that shape their artistic worlds.

The event drew approximately 200 distinguished guests, including art collectors, members of the design industry, and creative professionals based in New York. The sophisticated, luxurious atmosphere of the venue was filled with excitement and anticipation.

Catering was provided by OYAMADA JAPAN, an organization dedicated to promoting Japanese food culture worldwide, featuring a menu centered on inventive onigiri. This created a special moment where New York’s art scene met the richness of Japanese culinary tradition.

With its distinctly international and contemporary vibe, GOCA by Garde offered guests a rare opportunity to experience the works up close—an aspirational stage for emerging artists and a key destination for collectors seeking investment-worthy pieces. Through this exhibition, visitors can directly experience the cutting edge of culture and expression emerging in New York, along with the atmosphere that shapes it.

Highlights from the opening reception are available on Garde’s official YouTube channel.
GARDE Official YouTube: https://youtu.be/d8RbyNfq2yM?feature=shared

Exhibition Overview

Title: Group Exhibition Stand clear of the closing doors, Please
Dates: Thursday, July 10 – Wednesday, August 27, 2025
Venue: GOCA by Garde, 515 W 23rd St, New York, NY 10011
Admission: Free
Official Website: https://www.goca.gallery/


Artist Profile

Yuya Saito
An artist from Japan, currently based in New York.
At the age of 14, he discovered skateboarding and became immersed in street culture and urban life, including music, design, and fashion. His work is characterized by curved forms inspired by skateboard ramps, expressing the chaos and impermanence of the city and the street through abstract shapes.
By combining traditional bentwood furniture techniques with architectural structures, he seeks to create a new visual language of urban expression—one that goes beyond the frameworks of art history and street culture.
Official Website: https://www.yuyas.net/

Shinji Murakami
An artist from Japan, currently based in New York.
Drawing inspiration from the philosophy of Gunpei Yokoi—the creator of Nintendo’s Game & Watch and Game Boy—known as “lateral thinking with withered technology,” Murakami creates works rooted in the pixel-based expressions of 8-bit video games.
In 2021, he developed an original game for the Atari 2600, using it as a starting point to produce sculptures, paintings, and LED light works. Employing AR technology, he opens portals on his artworks, drawing viewers directly into the world of his creations.
Murakami has presented public installations engaging directly with audiences in more than 20 countries, collaborating with organizations such as Salesforce and The Standard Hotel. Through a minimalist yet post-pop approach, he reinterprets universal motifs and elements responding to cultural contexts, reconsidering the role of the artist in contemporary art.
Official Website: https://murakamishinji.com/

Hiroshi Masuda
An artist from Japan, currently based in New York.
After a career shift from the advertising industry to the water sports industry, Masuda embarked on a round-the-world journey in 2017, driven by a deep interest in humanity. On his very first stop, he was robbed of one million yen in a sleeping-pill theft—an incident that led him to begin drawing street portraits, marking the start of his artistic career.
In 2018, he traveled through 76 countries creating drawings, and upon returning to Japan, he produced a large-scale visual for MAGNET by SHIBUYA109 and held his solo exhibition Water in Harajuku. His work has been collected by singer-songwriter Sia, and in 2021 he received international recognition through collaborations with adidas Originals and an award in the UNIQLO × MoMA UTGP 2020 competition.
Masuda continues to explore the fundamental question, “What does it mean to be human?” through his art, now based in New York.
Official Website: https://hiroshimasuda.com/


GOCA by Garde

GOCA by Garde, an art gallery produced by Garde, is located in New York’s Chelsea district and specializes in contemporary art from Japan and Asia. Through exhibitions of paintings, sculptures, and ceramics, the gallery introduces both emerging and established artists, aiming to serve as a space that fosters cultural exchange and dialogue.
Chelsea is known as one of the world’s foremost centers of art and culture, currently home to around 200 galleries showcasing a wide spectrum of works—from exhibitions by renowned artists to experimental pieces by emerging talents. In this vibrant setting, Garde leverages its extensive expertise in spatial design and its strong network of artists to create a gathering place for art lovers. GOCA by Garde aspires to inspire and open new possibilities, bringing a positive impact to society through art.

Artworks Image Credit:©MC3 Photo

At the Forefront of Design in Kuala Lumpur-A Special Feature on the Latest Projects Led by GARDE Kuala Lumpur Office

GARDE is an international design firm that creates spaces around the world, including a growing portfolio in Kuala Lumpur. In this vibrant city, where diverse lifestyles and cultures come together amid Southeast Asia’s economic growth, commercial and residential developments require thoughtful and distinctive design solutions.

This feature highlights two of the latest projects by our Kuala Lumpur office: Setia Federal Hill Sales Gallery at Setia International Centre and Bukit Bintang City Centre Service Suites.

Setia Federal Hill Sales Gallery
A New Experiential Space Where Nature and the City Come Together in Harmony

Setia Federal Hill Sales Gallery was planned as part of a large-scale development project in Kuala Lumpur, which includes a low-rise commercial complex and high-rise residences. GARDE was responsible for the concept design, schematic design, and design development, and design supervision of both the low-rise commercial facility and the first phase of the high-rise residences.

The core design concept of this project is Harmony Between Nature and the City.” Inspired by the vibrant urban landscape and the Japanese philosophy of shinrin-yoku (forest bathing), the space is designed to offer visitors a sense of calm and a refreshing experiential environment where nature and city life blend seamlessly.

To evoke the feeling of “walking through nature,” particular attention was given to materials. Natural elements such as wood and stone were used throughout the gallery. On the upper floors, semi-transparent fabric panels serve as “lanterns,” inspired by the soft, dappled sunlight filtering through a forest canopy.

The overall palette is composed of gentle, neutral tones, emphasizing the serene elegance of nature while maintaining a bright and welcoming atmosphere. The space has been thoughtfully curated to help visitors envision a relaxing lifestyle and inviting residential experience at Setia Federal Hill.

Bukit Bintang City Centre Service Suites
Timeless Design for a Sophisticated Urban Lifestyle

Bukit Bintang City Centre (BBCC) is a large-scale mixed-use development located in the heart of Kuala Lumpur, integrating commercial spaces, offices, hotels, and residences. GARDE was responsible for the concept design, schematic design, design development, design supervision, and visual merchandising (VMD) of the BBCC Service Suites within this project.

Situated in the prominent Bukit Bintang district, BBCC is envisioned as a new landmark that embodies the cosmopolitan lifestyle of Kuala Lumpur. Reflecting this vision, the design of the Service Suites aims to provide a timeless and comfortable living environment tailored to the needs of international residents.

To achieve this, the interior concept skillfully combines the essence of Japanese minimalism with the warmth and functionality of Scandinavian design, resulting in a refined, yet simple space that offers both comfort and elegance. The goal was to create a universally appealing living experience that leaves a lasting impression of quality and sophistication for all who reside there.

Gurney Food Hall
A Sophisticated Space Showcasing the Culture, Cuisine, and Art of Penang Island

In addition to residential projects, GARDE’s Kuala Lumpur office has built a diverse portfolio across a wide range of sectors. Among them, Gurney Food Hall, for which the team was responsible for interior design, remains one of the most talked-about achievements—even four years after its completion.

Located on Penang Island, one of Malaysia’s top tourist destinations, Gurney Food Hall is one of the largest food halls on the island. Penang has long thrived as a port of call for trading vessels and has developed into a cultural crossroads in Southeast Asia, embracing influences from around the world while maintaining its own identity.

Reflecting the essence of this unique locale, the food hall is divided into four distinct zones, each inspired by iconic symbols of Penang: the Pier, the Port, the Palms, and the Patio.

>Click here to read further details of Gurney Food Hall

Comment from the Project Lead

Kuala Lumpur is an incredibly vibrant city where rapid economic growth meets a rich mix of cultures. Our goal is to harness the city’s unique energy and character to create spaces that are rooted in the local community and cherished by the people who live in them for years to come.

Southeast Asia remains one of the most dynamic and promising markets for continued growth. We believe that by deeply understanding our clients’ needs and responding to broader social demands—such as regional identity and sustainability—we can make a meaningful contribution to the region’s development.

For both projects, we prioritized the selection of environmentally responsible materials and focused on designs that balance functionality with beauty, in pursuit of spaces that are both sustainable and comfortable. Working closely with local artisans and partners was also key, allowing us to honor and incorporate the cultural identity of each place.

Looking ahead, we are excited to take on new challenges based in Kuala Lumpur, continuing to explore the possibilities of design in Southeast Asia and contributing to the realization of richer, more fulfilling urban lifestyles.
Yamauchi, GARDE Kuala Lumpur

Outlook for GARDE Kuala Lumpur Office

GARDE Kuala Lumpur will continue to create value in the Southeast Asian design market through a diverse range of projects. With a design approach that blends international perspectives with local culture, we aim to contribute to the ongoing urban development of Kuala Lumpur.

Art Project at GARDE: HARUNA SHIKATA Solo Exhibition “Overwrite”

From Friday, August 1 to Saturday, August 9, 2025, GARDE Gallery will host “Overwrite,” a solo exhibition by artist HARUNA SHIKATA.

This exhibition features a series of mixed media works exploring the theme of “overwriting information, emotions, and personal experiences.” SHIKATA attempts to reconstruct memory and thought in a positive light through layered visual expression.

This exhibition, “Overwrite,” presents a series of works born from an approach that emphasizes affirmative “editing” and “reprocessing” of the experiences and memories that accumulate within us. Rather than denying the past, artist HARUNA SHIKATA embraces the idea of constructively reshaping it.

Drawing from her own lived experiences, SHIKATA explores how unchanged, unprocessed information stored in the brain can sometimes trigger negative emotions. Her method involves deliberately “overwriting” these internalized elements by hand, transforming them into something newly meaningful through artistic expression.

The works are composed using a layered process that blends photography, text, illustration, and drawing, combining analog and digital techniques. Materials such as silver leaf, UV inkjet printing, and hand-painted details are applied in multiple stages. This process reveals the visual reconstruction of memory, offering viewers new perspectives and emotional resonance.

The act of “overwrite” proposed in this exhibition is not an erasure of memory or data, but a creative endeavor to inscribe new meaning and value upon them. It invites reflection on the potential for positive self-transformation in contemporary society, where the past becomes a canvas for healing and reinterpretation.

Artist Profile – HARUNA SHIKATA

Born in 1996 in Kanagawa Prefecture, Japan.
HARUNA SHIKATA began her artistic career after graduating from Kuwasawa Design School in 2022. Her work centers on the concept of “Overwrite”—the affirmative editing and reprocessing of information, emotions, and personal experiences.

Through mixed media works, she explores the reconstruction of memory and the potential for self-transformation. Using materials tied to her own experiences and emotions—such as photographs, text, and drawings—she applies layered techniques that include silver leaf, UV inkjet printing, and paint, creating pieces that symbolically “overwrite” emotional memory and meaning.

Exhibitions & Awards

June 2025 – Tone, YOD KYOTO
April 2025 – tagboat ART FAIR 2025
April 2025 – ART@FUKUOKA
January 2025 – What You See Underneath, YOD TOKYO
January 2025 – 100 Artists 10 – Jury Award
June 2024 – Solo Exhibition Trajectry, gallery201
December 2023 – WHAT CAFE EXHIBITION vol.32 – Award
November 2023 – Origin of Beauty 2023 – Encouragement Prize
August 2023 – Independent Tokyo 2023 – Tagboat Special Award

Collaborations
June 2024 – Quarter Room
December 2023 – MUSTARD HOTEL SHIMOKITAZAWA

Exhibition Overview: HARUNA SHIKATA Solo Exhibition “Overwrite”

Dates: August 1 (Fri) – August 9 (Sat), 2025
Hours: 11:00 AM – 6:00 PM (Closes at 4:00 PM on the final day)
Venue: GARDE Gallery
NBF ALLIANCE Building 4F, 5-2-1 Minami-Aoyama, Minato-ku, Tokyo
Admission: Free
Exhibition Details: https://tinyurl.com/46w4d5yb
Sales Page : https://www.art-adf.jp/

“MAISON VERTE,” a new dining concept at GRAND GREEN OSAKA by Transit Group — spatial design by GARDE

MAISON VERTE, an all-day dining destination, will open in March 2025 in the South Building of Grand Green Osaka.

The menu is overseen by Chef Daisuke Kaneko of L’AS, a hidden gem of modern French cuisine in Minami-Aoyama, Tokyo. From buffet-style breakfast to vibrant appetizer lunch plates with a drink bar, and elegant afternoon tea offerings, MAISON VERTE welcomes guests throughout the day in a refined and comfortable setting.

GARDE was in charge of the master planning, basic design, and detailed design for this project.

A Sophisticated Moment in Harmony with the Hotel’s Worldview

MAISON VERTE is a dining destination, located within HOTEL HANKYU GRAN RESPIRE OSAKA with interiors designed by GARDE.

Developed in line with the hotel’s core concept of “Natural State,” the design brief called for a base that blends shabby-chic sensibilities with a refined, urban clarity. The environment was created with a balance of warmth and elegance.

The space is anchored by a variety of green tones inspired by the surrounding environment, resulting in a healthy, sunlit ambiance elevated by a sense of richness and sophistication.

Facility Overview

Name: MAISON VERTE
Address: 5F, HOTEL HANKYU GRAN RESPIRE OSAKA, South Tower (GRAND GREEN OSAKA),
5-54 Ofukacho, Kita-ku, Osaka-shi, Osaka
Seating Capacity: 150 seats (136 seats available during breakfast service)
Teaser Website: https://maison-verte.jp/
Wedding Reservations: https://maison-verte.official-wedding.jp/fair/
Instagram (Weddings): @maison_verte_wedding

Restaurant Hours
Breakfast: 7:00–10:00 (Last entry at 9:30)
Lunch: 11:30–14:30 (Last order at 14:30)
Tea Time: 14:30–17:30 (Last order at 17:00)
Dinner: 17:30–23:00 (Last course entry at 21:00, last order at 22:00)
Bar: 15:00–23:00 (Last order at 22:00)

GOCA by Garde – Inside GARDE’s New York Art Space and Its Latest Showcase

GOCA by Garde, GARDE’s first overseas art gallery, serves as a hub for introducing Japanese and Asian artists to a global audience, showcasing a wide variety of works including paintings, sculptures, and ceramics.
We’re pleased to bring you a glimpse of our solo exhibitions and participation in art fairs held in May and June, reporting directly from Chelsea, New York.

Ibuki Minami Solo Exhibition “Gei-Kaku Ichinyo”

In May—when New York’s art scene reaches its peak—GOCA by Garde held a solo exhibition by Ibuki Minami titled Gei-Kaku Ichinyo at its Chelsea gallery space, running from May 8 to June 28.
The exhibition drew not only collectors, gallerists, curators, and artists fresh from the city’s major art fairs, but also curious New Yorkers eager to discover something new. A mix of English and occasional Japanese filled the space, leaving a strong impression of GOCA’s growing global presence.
You can view highlights from Ibuki Minami’s Gei-Kaku Ichinyo solo exhibition at the link below.
https://www.gardedesignmagazine.com/goca-ibuki-minami-gei-kaku-ichinyo-report-en/


Future Fair 2025

Future Fair 2025 was held from May 7 to 10 at Chelsea Industrial (535 W 28th Street) in New York’s Chelsea district. GOCA by Garde participated with a dual exhibition featuring artists Aya Kawata and Yuta Okuda, under the theme Neo Japanese Pulse: Reimagining a Cultural Loop.
Since its launch in 2020, Future Fair has grown into a highly curated platform that emphasizes selectivity, equity, and dialogue. It serves not only as a launching ground for emerging galleries but also as one of the most influential stages shaping the next generation of the global contemporary art scene.
Among the 67 carefully selected galleries from around the world, GOCA by Garde was the only participant from Japan.
For more details on the exhibition, please see the link below.
https://www.gardedesignmagazine.com/goca-future-fair-2025-en/


At GOCA by Garde, we will continue to host solo and group exhibitions at our gallery, alongside planned participation in upcoming art fairs.
For the latest updates, please visit GARDE’s official website or subscribe to our newsletter.
Official Website & Newsletter Registration Form

GOCA by Garde

GOCA by Garde is an art gallery created by GARDE, located in New York’s Chelsea district and dedicated to showcasing contemporary art from Japan and Asia. Through paintings, sculptures, and ceramics, the gallery introduces both emerging and established artists, aiming to foster cultural exchange and dialogue.
Chelsea is renowned as one of the world’s leading centers of art and culture, currently home to around 200 galleries. The neighborhood offers a diverse range of exhibitions, from internationally acclaimed artists to experimental works by rising talents.
In this vibrant setting, GARDE brings together its expertise in spatial design and its strong network of artists to create a place where art lovers can gather, engage, and connect. GOCA by Garde aspires to generate new inspiration and possibilities—ultimately contributing to a more positive society through the power of art.

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