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【Originally published in Forbes CAREER 】Unwavering Commitment to Quality – The Design Philosophy That Earns the Trust of Global Brands

This interview article, originally published in Forbes CAREER in 2023, has been reprinted in GARDE DESIGN MAGAZINE with permission from Editorial.
In this feature, GARDE President Muro and Project Manager Sato discuss the firm’s expertise in luxury brand design, sharing insights on the current landscape and future outlook of the industry.
<The article is as follows>

With over 40 years of history in architectural design, GARDE has left its mark on cities around the world. The firm has worked on a diverse range of projects, including luxury brand spaces that elevate urban landscapes, hotels that provide memorable moments with family and friends, department stores and boutiques that enhance the shopping experience, and cutting-edge office spaces designed with the latest methodologies. Some of these projects have transcended the realm of commercial facilities to become landmarks in their respective countries and regions.

When designing for luxury brands, GARDE excels in preserving brand value and concept while adapting to local cultures and customer preferences. This requires seamless collaboration between project managers who oversee operations, and local architects, who ensure compliance with domestic regulations. Their expertise is essential in achieving a harmonious integration of people, culture, and design.

As the world emerges from the COVID-19 pandemic and global mobility resumes, GARDE continues to push the boundaries of design excellence. We spoke with President Kenji Muro and Project Manager Kaede Sato about the company’s current initiatives and the qualities they seek in new talent.

Providing an Environment for Growth Through Challenges

Located in Omotesando, Minato-ku, Tokyo, a district where global luxury brands converge and attract tourists from around the world, GARDE’s office is perfectly positioned at the intersection of brand culture and people. This location reflects the company’s identity and mission. Since its founding in 1985, GARDE has been shaping both domestic and international design from its base in Omotesando for over 30 years.

At the helm of GARDE today is Kenji Muro, who specialized in spatial design at Musashino Art University before beginning his career as a designer at Mitsukoshi Department Store. He joined GARDE in 2010 and was appointed President in 2022.

When expanding into overseas markets, Muro developed a unique approach: rather than participating in competitions, he focuses on direct engagement with key decision-makers to secure new projects. This strategy stems from his extensive international experience, including time stationed in Hong Kong.

But why did Muro transition from a prestigious department store to a career focused on localizing luxury brands?

Kenji Muro, President & CEO of GARDE

“I left Mitsukoshi because I wanted to work on hotel and other design projects, expanding beyond department store design. At the same time, I felt a strong desire to challenge myself in a new environment and see how far my abilities could take me in my early 40s.

Since I had already been in contact with GARDE during my time at Mitsukoshi, I knew that the scale of the company would allow me to pursue the kind of projects I was passionate about. That confidence led me to make the decision to join GARDE.” (Muro)

Seated across from Muro, Kaede Sato, now in her sixth year at GARDE, listens attentively, nodding as she hears this reflection for the first time. Unlike Muro, her journey to GARDE began in an entirely different setting—during her studies in the United States:

“I majored in art while studying in the United States, and during my job search, GARDE was the only design firm participating in a career event for international students. Since my background wasn’t in architecture, I initially hesitated, wondering if it was the right fit. However, I was drawn to the opportunity to challenge myself on a global stage, so I took the leap and joined the company.

I had considered staying in the U.S., but American companies tend to hire candidates with more experience, whereas Japanese firms like GARDE actively recruit fresh graduates and provide on-the-job training. That structure suited me well at the time, making GARDE the right choice for my career.” (Sato)

Building Brand Loyalty Through Communication

Over the years, GARDE has been responsible for designing a wide range of retail spaces and commercial facilities, including BARNEY’S NEW YORK, Hankyu Umeda Department Store, and Ningbo Hankyu in China—an expansive 170,000m² department mall that opened in April 2021, featuring around 50 luxury brands. As previously mentioned, localizing luxury brands is one of GARDE’s key strengths. But what is the secret behind the company’s ability to consistently secure large-scale projects?

“Of the approximately 130 international brands operating in Japan, GARDE has worked on projects for around 80 of them. This number often surprises people, but we don’t have a secret formula. Ultimately, what luxury brands look for in localization is simple—whether we can faithfully reproduce and express their quality.

To achieve this, we engage in meticulous discussions with the brand’s global headquarters, repeating the process multiple times to ensure alignment. The key to this is communication. It’s about truly listening to their needs while also clearly articulating our own perspectives. Through this continuous dialogue, we build relationships where brands come to trust and even develop a fondness for us. I call this process ‘fan conversion.” (Muro)

Muro’s insight highlights GARDE’s strength—not just in selling design solutions, but in selling trust and relationships through unwavering commitment to communication. His emphasis on relationship-building is reflected in GARDE’s company culture, where collaboration and open dialogue create an environment that balances both comfort and intensity.

“I feel that communication is deeply ingrained in our company culture. GARDE is made up of highly skilled, craftsman-like professionals, but when it comes to work, we come together seamlessly. Discussions can get heated, of course, but rather than a strict top-down approach, we operate on a flat hierarchy—constantly engaging in deep conversations about how to enhance the brand’s value.” (Sato)

A Balance of Big-Picture Thinking and Attention to Detail – The Key to Each Role

As previously mentioned, Sato joined GARDE as a new graduate, and from the outset, she was hired as a project manager. Starting with assistant-level tasks, she gradually took on greater responsibilities as she gained experience.

Muro describes Sato as “the company’s mood maker,” and despite the challenges of her role, she reflects on her time at GARDE with enthusiasm:

“The work is demanding, but I can truly feel myself growing.” (Sato)

Kaede Sato, Project Maneger
Big-Picture Thinking and Attention to Detail – Key Traits for Each Role

As mentioned earlier, Kaede Sato joined GARDE as a new graduate and was immediately hired as a project manager. She started with assistant-level tasks and gradually took on larger responsibilities as she gained experience.

“A project manager’s role is to ensure smooth execution by breaking down the schedule and costs while maintaining an overarching view of the entire process. This means conducting meetings in English with overseas headquarters, traveling on-site to finalize details, and ensuring everything stays on track.

One of my most memorable projects was working on a luxury brand store in GINZA SIX. With limited time, we had to balance schedule and costs while maintaining design integrity. The sense of accomplishment from that experience is what continues to drive me forward today.” (Sato)

While project managers focus on overseeing the entire process, local architects play a different yet equally crucial role—adapting a luxury brand’s design standards and manuals to comply with Japanese laws and materials, ensuring proper execution throughout the construction phase.

“GARDE’s local architects are responsible for transforming the design outlines created by overseas brands into detailed drawings that comply with Japan’s regulations, making them suitable for bidding and construction. They must also continuously monitor the execution to ensure the design is realized correctly.

What is essential here is the ability to create high-precision drawings that faithfully reproduce the brand’s expected quality. This level of attention to detail requires a meticulous and highly focused mindset.” (Muro)

Turning Challenges into Motivation – The Power of a Positive Mindset

When considering the qualities GARDE looks for in talent, there are some differences between project managers and local architects, but strong communication skills and craftsmanship are key for both roles. Given the frequent negotiations with overseas luxury brands, language proficiency is also an important asset.

One might assume that thriving in such a high-profile industry requires a vast skill set. However, Muro believes that a strong “positive mindset” can open the door to success.

“In design work, it’s crucial to anticipate client needs and proactively propose ideas. This ultimately enhances client satisfaction. If you can turn challenges into motivation and maintain a positive outlook, you’ll be able to overcome most obstacles.

We’re looking for individuals with strong communication skills who can take initiative and actively engage in projects.

At the same time, we don’t leave skill development entirely up to the individual. We invest heavily in training, covering certification costs for design and construction management qualifications, and providing opportunities for overseas training ranging from a few weeks to a year, allowing employees to visit brand headquarters and gain firsthand experience.” (Muro)

Listening to Muro, Sato nods in agreement, reflecting on her own experiences at GARDE:

“Being involved in a project from start to finish means carrying a great deal of responsibility and pressure. However, there’s nothing more rewarding than bringing a globally recognized brand’s vision to life alongside my colleagues and seeing our work seamlessly integrated into people’s daily lives.

At GARDE, you get to build something from the ground up—a level of hands-on involvement that’s hard to experience at large corporations.” (Sato)

Beyond Design – Expanding into New Business Fields

While continuing to focus on its core expertise, GARDE is also expanding into three new business areas:

  1. The Metaverse
  2. Regional Revitalization
  3. Art

Muro describes this shift as “non-design, non-interior work”, but in reality, the underlying goal remains the same—contributing to society through design.

As GARDE continues to push boundaries and explore new creative landscapes, one question remains: What kind of world will they create next?
With Muro, Sato, and the entire GARDE team dedicated to challenging the status quo, the possibilities are endless.

Written by: Kenji Yoshinaga
Photography by: Ryo Komizu
Edited by: Kana Honma
Promoted by GARDE

Originally published in Forbes CAREER
Original article:
Forbes Career

President Muro Featured in WWDJAPAN’s “CEO Special Issue” Interview

An exclusive interview with GARDE President Muro was featured in WWDJAPAN’s annual “CEO Special Issue”, published on January 27, 2025.

This year’s theme, “Possibilities,” explores reflections on 2024 and expectations for 2025. In the interview, President Muro discusses GARDE’s business developments, future prospects, and the company’s design philosophy. He also highlights the opening of a permanent art gallery in Chelsea, New York, one of the projects commemorating GARDE’s 40th anniversary.
The feature underscores GARDE’s expertise in luxury brand design, its commitment to innovation, and its vision for the future.

TOP PHOTO: Facade of “GOCA by Garde,” a contemporary art gallery in Chelsea, New York.

Becoming the Leading Firm in Luxury Brand Market Design in Japan

GARDE specializes in a broad range of spatial design and branding for department stores, hotels, offices, and more. Notably, in the fashion sector, GARDE has designed stores for over 80 international luxury brands, including those from the industry’s “big three” conglomerates.
GARDE’s ability to continuously expand its portfolio stems from the trust it has built with its clients.

When designing for luxury brands, we prioritize a client-first approach, focusing on elevating service quality. Through extensive discussions with both the Japan offices and global headquarters of our clients, we ensure that their exacting standards and levels of perfection are meticulously met.

Strong communication skills play a crucial role in this process. With a team proficient in both language and technical expertise, we are deeply committed to faithfully executing and expressing brand quality.
We believe that maintaining superior quality directly enhances brand identity and fosters trust between companies.

Design Aesthetics in Spatial Design

Japanese design is characterized by minimalism—where simplicity and precision are paramount.

In commercial spaces, excessive decoration can overshadow the products, which should remain the focal point of the environment. Similarly, in hotels, over-embellished interiors can feel overwhelming rather than relaxing. With long-term stays becoming more common, minimalistic spaces designed to put guests at ease are now more essential than ever.
Achieving minimalism while maintaining functionality is a significant challenge. Without technical expertise, a minimalist approach can risk appearing too simplistic or lacking substance. However, at GARDE, our experienced designers continuously refine their skills, ensuring that minimalism is executed with sophistication and precision—turning it into our greatest strength.

GARDE is currently leading the interior and exterior design for the renovation of the Seibu Ikebukuro flagship store, set to reopen in 2025. As a former specialist in department store design, President Muro brings extensive expertise in retail remodeling and store openings. By leveraging GARDE’s distinctive strengths, we aim to transform this project into a benchmark for architectural and spatial excellence.

Prospects for 2025: Human Resources and Environmental Investment

In the field of spatial design, we are set to unveil a large-scale business project that has been in development for many years. On the brand side, we anticipate the ongoing trend toward larger retail spaces to continue, just as it has over the past 24 years. As a result, the number of branded stores that GARDE collaborates with is expected to grow even further.

Through these projects, we aim to enhance the company’s visibility, invest in talent and the working environment, and strengthen our appeal as a desirable workplace—especially in light of the increasing shortage of skilled professionals.

Specifically, we plan to further reinforce existing initiatives such as design study sessions, which serve as platforms for sharing skills and expertise, and training programs in business-related languages to support professional development.

In Conclusion

This issue of WWDJAPAN provides a retrospective on 2024 and also features the latest updates on our art business, which we were unable to cover in this article.
For more details, please visit the following link:
WWDJAPAN – CEO Special Issue

GARDE Design Magazine provides project portfolio, trends in architecture, design, and art, and event information.
The project portfolio and the latest information on GARDE are now available on our official website.
>Click here to visit our project portfolio.
>Click here for the latest information on GARDE

[Art Gallery Project] Kiyoo Ota Solo Exhibition “Grid”: A Visual Labyrinth Woven with Order and Illusion

The solo exhibition “Grid” by artist Kiyoo Ota, who elevates architectural perspectives into art, is currently being held at GARDE Gallery in Aoyama, Tokyo.
(Exhibition Period: Friday, February 21 – Saturday, March 8, 2025)

We spoke with Ota about the appeal of this exhibition and his future artistic direction.

In “Grid”, Ota explores the concept of grids—an idea he has long pursued—through a variety of artistic expressions, including paintings, sculptures, and installations. Grids, commonly used in fields such as architecture, design, mathematics, and urban planning, are composed of structured lines and points, serving as a fundamental framework that visually and physically conveys order and structure. However, Ota does not merely treat grid structures as rigid frameworks; instead, he constantly seeks new artistic possibilities by incorporating visual effects that challenge and expand conventional perceptions.

One of the most striking aspects of the exhibition is the collection of works utilizing moiré patterns. When meticulously drawn grid patterns overlap, they create a moiré effect that, depending on the viewer’s angle and distance, produces wave-like movements and vibrations. This dynamic illusion brings an unexpected sense of motion to what would otherwise be a static composition.
(Moiré: A visual phenomenon where overlapping layers of regularly arranged dots or lines create an interference pattern of wavy or rippling stripes.)

Additionally, the exhibition features works that deconstruct and reconstruct the cube, a fundamental shape in architecture. By intricately intersecting the cube’s surfaces and lines, these pieces challenge the illusions created by perspective and push its limits, blurring the boundaries between two-dimensional and three-dimensional space to create a unique visual experience.

Regarding this exhibition, Ota shared the following comment:
“The essence of my work is difficult to fully convey through photos or videos. In particular, the pieces utilizing moiré patterns must be seen, felt, and experienced firsthand to truly appreciate their intrigue and uniqueness. I encourage visitors to immerse themselves in the artwork, sense the shifting space and illusions with their own bodies, and freely explore the spatial transformations.”

Future Outlook: Expanding into Public Art

With a background in architecture, Ota is exploring new possibilities in the field of public art. He envisions integrating his works into everyday spaces such as parks and office entrances, making art a more accessible and immersive part of daily life.

Building on his past exhibitions in China and Taiwan, Ota aims to further deepen the connection between architecture and art through his work. His future plans include expanding his exhibitions beyond Japan, actively showcasing his art in major cities worldwide, including New York, Milan, and Paris.

Kiyoo Ota

Born: 1981, Aomori Prefecture (raised in Akita Prefecture)
Education
2007: Completed Master’s Program, School of Engineering, The University of Tokyo
2005: Graduated from the Department of Architecture, Kyoto University

Selected Solo Exhibitions

2024: Order, Gallery TK2
2023: Geometry, Daimaru Umeda Store
2023: Cosmos, Miaki Gallery
2023: Reality, Tagboat Gallery at Hankyu Men’s Tokyo

Selected Group Exhibitions / Art Fairs

2024: Art Central, Hong Kong
2024: ART ART TOKYO, Daimaru Tokyo Store
2024: ART SHINSAIBASHI, Shinsaibashi PARCO
2023: West Bund Art & Design, Shanghai
2023: Sarugaku Festival Art Fair, Art Front Gallery
2023: CHAPTER PATINA, Amanyangyun (Amanyang, Shanghai)
2023: Onbeat Art Show, Ginza Mitsukoshi
2023: China-Japan-Korea Sculpture Invitational Exhibition, Ministry of Culture of China, 2023: Qingdao Sculpture Art Museum
2023: Tennoz Canal Fes, WHAT CAFE, Terrada Warehouse
2023: Pre-Breakout Artists Exhibition, Ginza Six
2023: Contemporary Art from Around the World 2023, Daimaru Hakata Tenjin Store
2023: Instagram: https://www.instagram.com/otakiyoo/

Kiyoo Ota Solo Exhibition “Grid”

Dates:February 21 (Fri.) – March 8 (Sat.), 2025 *Closed on Sundays and holidays
Hours:11:00-18:00
Venue:GARDE Gallery (NBF ALLIANCE Bldg. 4F, 5-2-1 Minami Aoyama, Minato-ku, Tokyo)
Admission:free
URL:https://www.art-adf.jp/?sl=en

Kiyoo Ota – Upcoming Exhibition Announcement
“Kokon Tozai” (All times and places)

Set in a Registered Tangible Cultural Property with over a century of history, this exhibition will showcase 14 next-generation artists.

Participating Artists:

Yukino Oishi / Kiyoo Ota / Yoichiro Otani / Chika Kato / Yoshitoshi Kanemaki / Yu Kawashima / Kayoko Kimura / Ryosuke Shiomi / Yosuke Takasaki / Yoshiyasu Tamura / Momoko Nakamura / Yukihiko Haruta / Ryota Nishioka / Jun Matsumura

Exhibition Dates:

April 12 – April 30, 2025 | 13:00 – 20:00

  • General Public Access (Free Admission): Fridays, Saturdays, Sundays
  • Reservation Required: Mondays to Thursdays (Please contact the exhibition office in advance via email.)
Venue:

Kyo Art
402 Mongaicho, Shimogyo-ku, Kyoto City, Kyoto Prefecture (Shichijo-dori, Horikawa East Entrance, North Side)

Contact Information:

Exhibition Office:kokontozai.art@gmail.com

Shaping the Future of Local Governments: “Regional Revitalization Metaverse Award” Briefing Report

On December 19, 2024, GARDE hosted an informational session for local governments regarding the Regional Revitalization Metaverse Award. The event was attended by municipalities from across Japan, from Hokkaido to Okinawa.

During the session, Misawa from GARDE, the project manager, emphasized that the Metaverse is more than just a virtual space—it serves as a powerful tool for showcasing regional attractions and contributing to economic and cultural development. Furthermore, the importance of collaboration between local governments and creators was highlighted, stressing that innovative ideas can help solve regional challenges and drive sustainable growth.

Examples of Other Companies Utilizing the Metaverse

In recent years, promotional activities leveraging the Metaverse by local governments have been gaining attention. This trend is driven by advancements in digital technology, restrictions on offline events due to the COVID-19 pandemic, and an increasing number of municipalities focusing on supporting regional migration by targeting the younger demographic, who are the primary users of the Metaverse.

Below are some examples of projects that have been implemented to promote regional revitalization through the Metaverse.

[Fujieda City, Shizuoka Prefecture] Metaverse Business Matching Fair

Fujieda City hosted a Metaverse-based experiential business matching fair. Participants could visit virtual corporate booths within the Metaverse space and engage in real-time voice conversations with avatars acting as company representatives. Unlike traditional face-to-face business matching events, this initiative provided an immersive and realistic atmosphere, enabling a new form of business networking.

[Hagi City, Yamaguchi Prefecture] Promoting Furusato Tax Donations in a Virtual Space

Hagi City, in collaboration with SPECTRUM, launched the “Hagi City x SPECTRUM Metaverse Furusato Tax Donation Campaign.” Visitors could experience furusato tax donations in a Metaverse environment, where they were welcomed by Hagi City’s official mascot, “Haginyan.” The virtual space featured 360 return gift items, allowing users to explore various booths in a friendly and engaging setting. Digital posters placed throughout the venue enabled visitors to access the donation website directly and make contributions on the spot.

[Akita Prefecture] Metaverse Expo to Promote Regional Migration

Akita Prefecture launched the “Akita Migration & Exchange Metaverse Expo” to promote relocation to the region. The Metaverse exhibition was divided into six distinct regional areas, each visually showcasing its unique characteristics in a 3D environment. Visitors could explore the virtual space using avatars inspired by local symbols, such as “Ndacchi” and Akita Inu dogs. This interactive setup allowed visitors to gain insights into regional features while enjoying various immersive experiences.

Regional Revitalization Metaverse Award Details
Call for Entry

This award invites a wide range of ideas that utilize the Metaverse for regional revitalization, including:

  • Tourism Promotion
  • Sports Activation
  • Local Product Sales
  • Encouraging Regional Settlement
  • VR Job Training
  • Other innovative ideas contributing to regional revitalization 
Application Guidelines 
  • Theme: Ideas that achieve “regional revitalization through the use of Metaverse technology.”
  • Application Period: November 1, 2024 – April 30, 2025
  • Eligibility:
    • Applicants can be individuals or groups.
    • As of November 1, 2024, applicants must be high school students or older residing in Japan.
    • If applying as a group, all members must meet the eligibility requirements and provide consent for participation.
  • Number of Entries:
    • Each participant (or group) can submit one entry specifying a local government or one general entry without specifying a municipality.
    • If applying as a group, each group is limited to one entry.
  • Application Conditions:
    • Applicants must agree to and comply with the Regional Revitalization Metaverse Award application guidelines.
Prize Details 
  • Grand Prize (1 Winner): 3 million JPY
  • Excellence Award (1 Winner): 1 million JPY
  • Local Government Award (4 Winners): 250,000 JPY each

※ The judging process will be conducted internally at GARDE and will remain confidential.
※ Details regarding the award ceremony will be announced at a later date.

GARDE, leveraging its global network and extensive expertise in design, aims to create new value for local communities. By fostering creative Metaverse-based ideas, we strive to contribute to regional revitalization and problem-solving. We remain committed to supporting initiatives that shape a more vibrant and sustainable future.

Official Website:
https://garde-metaverse-award.com/

GARDE Design Magazine provides project portfolio, trends in architecture, design, and art, and event information.
The project portfolio and the latest information on GARDE are now available on our official website.
>Click here to visit our project portfolio.
>Click here for the latest information on GARDE

GARDE For「CASETiFY STUDiO」 Involvement in the Production of Hiroshima PARCO and Sapporo PARCO Stores

CASETiFY is a global lifestyle brand that offers customizable smartphone cases and tech accessories, allowing users to express their individuality. With a strong presence on social media, CASETiFY has garnered a wide-reaching audience and is loved by international celebrities. In addition to its online sales, the brand has been actively opening physical stores in major Japanese cities, including Tokyo and Osaka.

In 2024, GARDE was responsible for the design, local architecture, and construction of two newly opened CASETiFY STUDiO stores: CASETiFY STUDiO Hiroshima PARCO and CASETiFY STUDiO Sapporo PARCO.

CASETiFY STUDiO Hiroshima PARCO

CASETiFY STUDiO Hiroshima PARCO marked the brand’s first store opening in the Chugoku and Shikoku regions. Located in Hiroshima PARCO, which underwent a major renovation in celebration of its 30th anniversary, the store opened on April 26, 2024. One of the store’s highlight products is an exclusive design created in team up with a Japanese professional baseball team—the first of its kind for CASETiFY.

Opening Date: Friday, April 26, 2024
Address: Honkan 1F, 10-1 Hondori, Naka-ku, Hiroshima City, Hiroshima 730-0035, Japan
Business Hours: 10:00 – 20:30 (subject to change)
Visit Website

CASETiFY STUDiO Sapporo PARCO

As the first CASETiFY store in the Hokkaido region and the ninth store in Japan, CASETiFY STUDiO Sapporo PARCO officially opened on October 17, 2024.

To commemorate the opening, a special “Sapporo Beer x CASETiFY” collection—created in collaboration with Sapporo Beer, a brand with deep roots in Hokkaido—is available exclusively at the Sapporo PARCO store.
Additionally, the store offers limited-edition smartphone cases featuring Hokkaido-inspired designs, such as skiing and miso ramen, reflecting CASETiFY’s signature style and creativity.

Opening Date: Thursday, October 17, 2024
Address: 1F, 3-3 Minami 1-jo Nishi, Chuo-ku, Sapporo City, Hokkaido 060-8502, Japan
Business Hours: 10:00 – 20:30 (subject to change)
Visit Website

Sustainability Initiative: Re/CASETiFY

As part of its eco-conscious efforts, Re/CASETiFY is a recycling program that collects used smartphone cases and repurposes them into new products. Both the Hiroshima PARCO and Sapporo PARCO stores feature collection boxes where customers can drop off their old cases for recycling—regardless of the brand.

About CASETiFY

CASETiFY is a Direct-to-Consumer (D2C) global lifestyle brand known for customizable tech accessories and its commitment to sustainability. The brand has collaborated with a diverse range of industries, including character brands, art, and fashion, creating innovative partnerships that have gained worldwide attention.
By utilizing premium materials and cutting-edge designs, CASETiFY offers limitless personalization options and original, high-quality tech accessories. The company serves as an incubator for artists, a design studio for brands, and an international partner for charitable and social initiatives—empowering both creators and customers to make an impact.
www.CASETiFY.com

©All Photo CASETiFY

GARDE Design Magazine provides project portfolio, trends in architecture, design, and art, and event information.
The project portfolio and the latest information on GARDE are now available on our official website.
>Click here to visit our project portfolio.
>Click here for the latest information on GARDE

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