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Art Gallery Project: Tomomi Taoka Solo Exhibition “COODE ’24: FRUiTS JUICE DRINKS (+ OLD SPICES)”

GARDE Gallery in Omotesando, Tokyo, will host “COODE ’24: FRUiTS JUICE DRINKS (+ OLD SPICES),” a solo exhibition by artist Tomomi Taoka, who explores innovative ways of ‘coordinating’ paintings. The exhibition will run from Friday, October 18 to Saturday, November 2, 2024. We look forward to your visit.

Artworks will be available for purchase during the exhibition.

Tomomi Taoka “COODE ’24: FJD (+OS)_8 #2013 #rimeiku” 2024
275,000 JPY

The “FRUiTS” in the title of this exhibition is inspired by the legendary street photography magazine FRUiTS, which captured the fashion of the youth who gathered in Harajuku. Taoka, influenced by street fashion that embraced vintage clothing as a counter-movement to luxury brand fashion, questions the conventional approach to art exhibitions and painting through her unique perspective.

Tomomi Taoka “COODE ’24 : FJD (+OS)_7 #2014 #rimeiku” 2024
220,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_6 #2024 #nyuu” 2024
385,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_11 #2024 #nyuu” 2024
440,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_12 #2013 #rimeiku” 2024
165,000 JPY

In the world of fashion, Taoka notes, “It’s not always about new things being better; sometimes value is found in items once considered worthless, or by skillfully combining the new with the old.” In the art world, there is often an expectation that only new works will be showcased at exhibitions, with older pieces rarely being revisited. However, for this exhibition, the artist has reimagined oil paintings she created as a student. Taoka believes that “by carefully coordinating them, past works—whether considered failed, old, or inexpensive—can be transformed into contemporary pieces of art.”

Tomomi Taoka “COODE ’24: FJD (+OS)_13 #2019 #rimeiku” 2024
660,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_5 #2019 #rimeiku” 2024
55,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_1 #2015 #rimeiku” 2024
44,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_2 #2019 #rimeiku” 2024
33,000 JPY
Tomomi Taoka “COODE ’24 : FJD (+OS)_3 #2019 #rimeiku” 2024
33,000 JPY

In this exhibition, Taoka incorporates various surrounding materials such as ropes, wooden boxes, and Styrofoam, often used as packing or support materials, treating them like “accessories” to her works. Since even the slightest shift in balance can completely alter the overall impression, Taoka explores the concept of what it means to be picturesque by “coordinating” these elements with her paintings.

Tomomi Taoka “COODE ’24: FJD (+OS)_9 #2024 #nyuu” 2024
770,000 JPY

Sometimes, having only new or high-quality things can become tiresome. However, just as unexpected combinations can give rise to new aesthetics and trends, Taoka refreshes the mode of painting by “spicing it up” with elements considered old or inexpensive.

Tomomi Taoka

Born
1995, Chiba, Japan

Education
2019 Graduated from Musashino Art University, Faculty of Art and Design, Department of Oil Painting
2021 Graduated from Musashino Art University Graduate School of Art and Design, Department of Art, Oil Painting Course

Solo Exhibition
2020 “Zigusoopazurucoodineito” (Sukiwa, Tokyo)

Selected Group Exhibitions
2021 “ART AWARD TOKYO MARUNOUCHI 2021” (Marunouchi Oazo OO Square, Tokyo)
2021 “HOLBEIN ART FAIR 2021” (+ART GALLERY, Tokyo)
2021 “Born New Art” (+ART GALLERY, Tokyo)
2020 “Holbein Scholarship Results Exhibition” (Sato Museum of Art, Tokyo)
2019 “Available! Art Collector Exhibition” (MEDEL GALLERY SHU, Tokyo)
2019 “DorooinguDorouwingu” Noriko Kamikubo and Tomomi Taoka two-person exhibition (Art Center Ongoing, Tokyo)
2018 “WONDER SEEDS 2018” (Tokyo Art and Space Hongo)
Website.
https://tt0742tt.wixsite.com/taokatomomi

Tomomi Taoka Solo Exhibition “COODE ’24 : FRUiTS JUICE DRINKS (+ OLD SPICES)”

Dates: October 18 (Fri.) – November 2 (Sat.), 2024 (Closed on Sundays and holidays)
Hours: 11:00 – 18:00
Venue: GARDE Gallery (NBF ALLIANCE Building 4F, 5-2-1 Minami Aoyama, Minato-ku, Tokyo)
Admission: Free
URL: https://www.art-adf.jp/

Yuqi Shinohara Solo Exhibition “FROZEN SUPERMARKETS” at GARDE Interview on the Inspiration Behind the Works

From September 28 to October 12, 2024, GARDE Gallery will host a solo exhibition by contemporary artist Yuqi Shinohara titled “FROZEN SUPERMARKETS.” Given GARDE’s many projects that closely intertwine art and food, we interviewed the artist to gain insight into her thoughts on the works and the origins of her artistic career.

Shinohara creates video and installation works that explore the inner conflict humans face as our lives are sustained by the sacrifice of other living beings, particularly animals used as food. She shared that, from a young age, she has been deeply interested in animals, both as pets and as a source of sustenance, and these experiences have shaped her current body of work.

The title of this solo exhibition, “FROZEN SUPERMARKETS,” symbolizes the “mental freeze” or numbness that people often experience as they navigate a life built on consuming other living beings.

Artworks Born from Familiar Music and Video

The artworks on display in this exhibition are the result of capturing analog and physical creations through photography and video. From an early age, music was something deeply familiar to Shinohara, and the world of video, which she first explored as a hobby and later mastered through self-study, became central to her artistic expression. For Shinohara, these mediums serve as the “languages” of her art, allowing her to convey her recurring theme of “animals.”

Introduction to Selected Artworks

《round and round》
“round and round” is a video artwork, but what makes it unique is its presentation on video cassette tape, offering a fresh perspective. The method was chosen to emphasize the tactile quality and transformation of objects, aligning with the concept of valuing texture and change. This piece beautifully embodies the connection between her music activities and art.

《PRAY FREE》
“PRAY FREE” is a piece that expresses respect for life by recording and preserving what the artist has eaten on paper. Although it is difficult to remember everything one consumes, the food we ingest becomes part of our bodies and sustains us. The Japanese phrase “itadakimasu” often said before meals to express gratitude for food, serves not only as a gesture of respect for the ingredients but also as a reflection of the inner conflict involved in consuming life. This is the interpretation embodied in this artwork.

The Two Faces of Yuqi Shinohara: Vocalist Q.i and Contemporary Artist

Shinohara is also active as the vocalist Q.i of the band Milk Talk. The name Q.i is derived from her English artist name, Yuqi Shinohara, and represents a simpler approach to her relationship with music. However, when working in the visual arts, she uses her real name, aiming to make her identity clearer and convey her artistic vision more directly to those who experience her work.

In this solo exhibition, her first, you can immerse yourself in a unique world of art that only a multi-talented artist like Shinohara can create. We invite you to come and enjoy this exceptional experience.

Yuki Shinohara Solo Exhibition “FROZEN SUPERMARKETS” – Exhibition Overview
  • Exhibition Dates: Saturday, September 28, 2024 – Saturday, October 12, 2024 (Closed on Sundays and public holidays)
  • Time: 11:00 AM – 6:00 PM
  • Venue: GARDE Gallery (NBF ALLIANCE Building 4F, 5-2-1 Minami Aoyama, Minato-ku, Tokyo)
  • Admission: Free
Yuqi Shinohara

Yuqi Shinohara, born in 1991, graduated from Hiroshima City University (Faculty of Art) in 2014 and moved to the United States. She also works as a musician under the name Q.i. Her own independent band “Milk Talk” released a full-length album in November 2023. Her retro electro-funk style, which reflects the sensibility of the times, is popular beyond the boundaries of countries and genres. She has provided music for the online game “Fortnite” and Maison Kitsuné’s fall/winter collection.

Instagram: @q.imusic

Interior Trend “Japandi” Charm of Space Created by Japanese Modern Lighting

Japandi is a new style that combines the iconic Japanese “wa” aesthetic with modern Scandinavian design.
Since the pandemic in 2020, there has been a growing interest in residential space design and private living spaces. The Japandi style has been embraced by many, both in Japan and abroad, as a prime example of comfortable space creation.

Creating a Japandi-style space is said to require simplicity, warm color tones, and furniture or wallpaper made from natural materials. While these elements are important, they can often be expensive to fully implement. That is why we would like to focus on lighting as an element that is relatively easy to incorporate and can significantly transform the atmosphere of a space. Japanese modern lighting, which has gained popularity in Japan in recent years, is particularly suited to achieving the Japandi aesthetic.

In this article, we will introduce why Japanese modern lighting is highly recommended for Japandi-style spaces, as well as showcase lighting that utilizes materials and techniques unique to Japan.
Click here to learn more about Japandi.

Effects of Lighting on Space

Lighting can be adjusted through illuminance and color temperature to create the desired ambiance for a space.
Warm-toned lighting creates a cozy, relaxing atmosphere or a more dignified setting, while white-toned lighting conveys a sense of freshness and cleanliness. By choosing different types of lighting based on the purpose and function of the space, the overall impression can change dramatically.
To achieve a Japandi-style space, it is recommended to intentionally incorporate lighting that emits a warm, inviting glow.

Reasons Why Japanese Modern Lighting is Ideal for Japandi

Japanese modern design, which fuses traditional Japanese aesthetics with contemporary, stylish elements, has become a versatile style that complements a wide range of interior spaces and tastes.

Japanese modern lighting is characterized by its warm, nostalgic glow and has gained widespread popularity, being used in various settings such as homes, restaurants, and hospitality facilities. This lighting often incorporates natural materials like Japanese paper and linen—materials that have been used in Japan for centuries—to softly diffuse light and create a warm, inviting atmosphere. By blending these traditional elements with modern touches of sleekness and linearity, Japanese modern lighting can express a minimalist simplicity that aligns perfectly with the Japandi style.

Only Available in Japan, Japanese Modern Lighting Utilizing Traditional Crafts and Materials

Since ancient times, people in Japan have used lighting made from materials such as Japanese paper, hemp, and wooden frames, which are well-suited for traditional Japanese-style rooms. Japanese modern lighting that successfully incorporates these traditional elements is gaining popularity.

For example, pendant lights that combine chochin (Japanese lanterns) and washi paper, offered by a long-established Japanese lighting company, are crafted using washi paper by skilled artisans who take their time to handcraft each piece. Another popular product from the same company is modern Japanese lighting designed by a foreign designer, which combines tradition with innovation.

Hasami-yaki pottery, with a 400-year history, produces everything from everyday tableware to traditional handicrafts. The lighting made from its beautiful translucent white porcelain harmonizes with the color tones of the space and enhances the ideal Japandi-style interior.

Bamboo crafts, carefully finished one by one by artisans, are among the most popular traditional crafts in Japan. Bamboo lighting, made from tiger bamboo, known for its distinctive surface patterns that barely change with age, and Henon bamboo, which dramatically changes color over time, is meticulously crafted to add just the right touch of flair to minimalist spaces. The delicate and graceful bamboo lighting is sure to add a pop of color and character to any space.

In Conclusion

We have introduced the ideal Japanese modern lighting for the Japandi style.
We encourage you to incorporate Japanese elements into your Japandi style spaces.

President Muro Speaks About GARDE’s Trajectory and Future Innovations #2

Celebrating our 40th anniversary in 2025, GARDE has worked on projects in a wide range of fields, from hotels to department stores, retail, and offices, honing the designs that we specialize in. We are constantly taking on new challenges to address social issues through design, utilizing the expertise we have built up.

In the previous chapter, we discussed “What kind of design company GARDE aims to be” and “Office design created by diverse work styles.”
For more details, please visit the following link:
https://www.gardedesignmagazine.com/president-interview-trajectory-and-future-innovations-en/

In this issue, we will introduce three businesses that have been started in recent years.

Potential for Metaverse Projects Independent of Spatial Design

In our new business, Metaverse Space Design and Production and Sales Services, which began in 2023, we are expanding our services based on two pillars.

The first is an extension of our design service, providing further added value to our customers. One example might be the Tower Mansions in Tokyo. Conventionally, developers need to create showroom model rooms for people to visit, but that is very costly and takes up space.
Now, we can construct a small room that demonstrates the development through VR and the Metaverse. With this approach, we can showcase multiple designs at lower cost and with less space, thus saving time as well.

The second approach is creating a completely new business around the Metaverse, supporting our clients. This has now become a new pillar of profitability. We foresee a future where people make purchases in the Metaverse world, and we are now preparing the foundation for that future. A good example of this future comes from major fashion brands such as Gucci and Balenciaga hosting fashion shows as Metaverse experiences, although, to my knowledge, they haven’t been able to make any sales in the Metaverse yet. There are still many challenges, such as the need to constantly take new photos of products in 3D, which can be quite cumbersome. Additionally, current smartphone speeds are not sufficient to accommodate Metaverse experiences. However, I believe that once technologies catch up, people will be able to shop on sites like Amazon in VR just as they would in a real-world store.

From One Idea to Innumerable Ideas: The Ever-Evolving Real Estate Business

Our real estate services started in 2020, and since then, we have been working closely with our clients to assist them in resolving their issues. It may be said that our passion for our clients led us to develop our real estate services.

Before starting our real estate business, our services were primarily focused on international brands as clients for design services related to their headquarters. There was one particular brand that wanted to open a store in Ginza, as well as several other locations, and they requested that we find suitable sites. As we searched for locations that would fit the brand’s requirements and identity, we thought to ourselves, “Why not make this into a business?”

We acquired a staff member with a certificate of real estate brokerage and began providing new real estate brokerage services to our clients, mainly global brands with multiple stores.

Although not part of the regional revitalization business described below, since starting this business, it has evolved, and we are now using it for regional land revitalization as well. We are converting hotels and residences in regional areas. We start by finding a plot of land and creating a master plan for its use. If it is a hotel, we need to find an operator, create a comprehensive set, and then ask the developer to purchase the asset.

Currently, we have multiple hotels around Kyoto and the surrounding area as ongoing projects. It is hard to acquire large design projects, but if we provide the real estate location and manage the process from upstream to downstream, we can design the building. This is the crux of our new real estate business model.

Tabiico: A Tourism Website Connecting People with Rural Areas—A New Step Toward Regional Revitalization

Japanese tourism had been attracting attention from abroad even before COVID-19, but now, after the convergence of the pandemic, it has become even more popular. Japanese tourism has grown so much that it is facing an overtourism problem, especially in urban areas.
Despite being such a popular travel destination, there are still many wonderful tourism resources in rural areas that are not yet well known. Our goal in our regional revitalization business is to invigorate local communities through tourism.

We have developed the tourism website “Tabiico” as a platform where local municipalities can directly register their wonderful, locally-known tourism resources.
All tourism resources on Tabiico are linked to the municipality, and the aim is to increase awareness of not only tourist attractions but also the name of the municipality, such as “XX town” when referring to this tourist attraction.

We are also actively working to develop local sightseeing content so that more people can discover the famous sites registered on Tabiico. Currently, we are in the process of proposing plans and providing consulting services to the 160 participating cities, towns, and villages using Tabiico, making the most of our global network.

Our goal is to encourage people to visit and get to know the local community, have them spread the word, and increase the number of visitors and the population involved. We believe that tourism contributes to regional revitalization, which in turn leads to the creation of vibrant local communities.

In Conclusion

We are grateful for the opportunity to share with you the history of GARDE over the past 40 years and the evolution of GARDE into the future.

The original text can be found at the following link:
https://www.theworldfolio.com/interviews/garde-international-interior-design-for-modern-age/6334/

Sustainable Fashion in Japan: Innovating for an Eco-Friendly Future

As the global fashion industry increasingly prioritizes sustainability, Japan is emerging as a leader, blending traditional craftsmanship with cutting-edge technology. Japanese fashion brands are rethinking how they design, source materials, and engage with consumers. These companies are embracing eco-friendly practices that not only reduce environmental impact but also align with a growing consumer demand for ethical and sustainable fashion. Let’s explore the approaches of several pioneering Japanese brands that are shaping the future of sustainable fashion.

People Tree: Japan’s Fair Trade Fashion Pioneer

Founded in Japan, People Tree is one of the country’s foremost advocates of sustainable fashion. Known for its deep commitment to Fair Trade principles, People Tree collaborates with artisans and farmers in developing countries to ensure ethical working conditions and fair wages. The brand uses organic cotton, handwoven fabrics, and natural dyes to produce clothing that minimizes environmental impact. As one of the first fashion brands in Japan to embrace Fair Trade International certification, People Tree has become a symbol of ethical production.

In addition to its social sustainability, People Tree’s collections are rooted in the slow fashion movement, which encourages consumers to purchase fewer, higher-quality items that last longer. This philosophy directly opposes the fast fashion model, known for its disposable nature and significant environmental footprint. By emphasizing long-term value over short-lived trends, People Tree demonstrates how fashion can be both beautiful and environmentally responsible.

Issey Miyake: High-Tech Solutions for Sustainable Design

Issey Miyake, one of Japan’s most renowned fashion houses, has long been at the forefront of innovation, and its approach to sustainability is no different. The brand’s A-POC (A Piece of Cloth) initiative is a key example of how technology can reduce waste in the fashion industry. Through this process, garments are made from a single thread, minimizing fabric waste during production.

Issey Miyake’s focus on durability is also evident in the Pleats Please collection, which uses high-tech fabrics designed to last for years. These garments are wrinkle-resistant and easy to care for, meaning they require less washing and maintenance, which in turn reduces water and energy consumption. By prioritizing longevity and practicality, Miyake ensures that his designs are both stylish and sustainable.

MUJI: Minimalism Meets Environmental Responsibility

Known for its minimalist designs, MUJI has made significant strides in incorporating sustainability into its fashion lines. The brand uses organic cotton in many of its products and has established a clothing recycling program that encourages customers to return used garments. These items are then repurposed into new products, reducing textile waste and promoting circular fashion.

MUJI’s commitment to sustainability extends beyond clothing. The company also focuses on reducing unnecessary packaging and simplifying its supply chain, minimizing its overall carbon footprint. By promoting a “less is more” philosophy, MUJI encourages consumers to invest in versatile, durable products that can stand the test of time, reducing the impulse to buy disposable fashion.

Studio Nibroll: Creative Upcycling and Zero-Waste Design

Studio Nibroll, a Tokyo-based brand, brings an artistic edge to sustainable fashion through its use of upcycling. The brand transforms discarded fabrics and garments into innovative, avant-garde designs, giving new life to materials that would otherwise go to waste. This approach not only reduces environmental impact but also challenges traditional ideas of fashion by highlighting the beauty of repurposed materials.

In addition to upcycling, Studio Nibroll adheres to zero-waste design principles, ensuring that every piece of fabric is utilized. By pushing the boundaries of sustainable design, the brand emphasizes the creative possibilities of eco-conscious fashion, proving that sustainability and cutting-edge style can go hand in hand.

SIIILON: Reimagining Vintage Clothing for the Modern World

Founded by Tomo Iwakura, SIIILON takes a unique approach to sustainability by reworking vintage clothing into new, modern pieces. This method aligns with the slow fashion movement and reduces the need for new textile production, which is a significant contributor to environmental pollution. By giving old garments a second life, SIIILON encourages consumers to appreciate the craftsmanship and history behind each piece, promoting a more thoughtful and sustainable approach to fashion consumption.

This focus on revamping existing garments also supports a circular economy, where clothes are continually reused rather than discarded. SIIILON’s work demonstrates how sustainability can be integrated into high fashion, blending creativity with environmental responsibility.

A Holistic Approach to Sustainability

Japan’s sustainable fashion movement is marked by a combination of innovation, tradition, and creativity. Brands like People Tree lead the way in ethical production, while Issey Miyake and Studio Nibroll use technology and design to reduce waste. MUJI emphasizes minimalism and durability, and SIIILON highlights the importance of preserving and reimagining existing garments.

As global awareness of the environmental impacts of fashion grows, Japan is poised to play a significant role in driving the industry towards more sustainable practices. These brands offer a blueprint for how fashion can evolve to meet the challenges of the future, combining style with a deep commitment to environmental and social responsibility.

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