Event

The exhibition by artist Eri Uemura, who explores themes of wildness, the body, and the dimensions of time and space to convey emotions and impulses that fluctuate within these boundaries, will be held from Friday, January 24 to Friday, February 7, 2025, at GARDE Gallery in Omotesando, Tokyo.

During the exhibition, artworks will be available for purchase on-site. We warmly invite you to stop by and experience her compelling creations firsthand.

Uemura’s “Picking up My Bones” series, ongoing since 2016, skillfully portrays the fundamental wildness and desires emerging from the raw essence of our bodies as “living beings.” The figure depicted selecting what is needed from scattered remains after decay evokes both the fragility of the living body and a readiness for what lies beyond.

The series also delves into the tension between the “wildness” innate in all living beings and the “education” that defines how humans ought to behave—shaped by shifting times and cultures. This conflict sometimes drives an urge to escape into an unrealistic realm, such as the unconscious or the surreal. Uemura crafts an imaginative story world where impulses are laid bare amidst fantastical landscapes.

The contrast between the young, innocent girl and the skeleton evokes medieval European aphorisms such as “Memento Mori” (Remember Death) and “Carpe Diem” (Seize the Day). Throughout art history, countless attempts have been made to depict life and death, and this endeavor remains profoundly relevant in the modern era. Uemura’s work captures and expresses the shifting collective psyche while offering a deeply personal interpretation of mortality.

In modern society, advancements in science and medicine have led to a cultural aversion to death, often relegating it to the margins of public consciousness. However, by boldly bringing it into focus, Uemura compels us to confront the light of life with greater intensity. This vivid juxtaposition encourages us, as contemporary individuals, to reflect on the paradox of “picking up one’s own bones.”

The interplay between the vibrantly rendered girl and the stark skeleton creates a distinctive aesthetic, weaving a rich tapestry that speaks to the transience of life and the essence of human existence. Through this contrast, Uemura’s work invites us to ponder the fragility and beauty of living.

The materiality of this exhibition is also a highlight. The wide range of materials, such as Japanese paper, pressed flowers, fire, wool, ink, and mineral pigments, give a stronger sense of analog physicality and give viewers a fresh impression with their reality. In addition to drawings from the early part of the series, the exhibition will feature his latest paintings as well as three-dimensional ceramic works, which he began working on in 2024, for the first time.

In an age where advances in science and medicine marginalize death, Uemura’s works vividly bring it to the forefront, compelling us to reflect on the inherent contradictions of modern life. The colorful interplay between the girl and the skeleton creates a unique aesthetic that highlights the ephemerality of life and the essence of human existence.

ERI UEMURA

Biography
1986 Born in Hiroshima Prefecture
2010 Graduated from Onomichi City University, Faculty of Arts and Culture, Oil Painting
2010-11 Moved to the UK and stayed in London
2014 Completed Master’s course in Oil Painting at Tokyo University of the Arts, Graduate School of Fine Arts

Major Exhibitions
2012

• Group Exhibition “University Painting”, Akibatamabi 21, 3331gallery, Tokyo
• Group Exhibition “Eri Uemura, Megumi Utsunomiya, Makiko Masutani’s Atelier”, Tokyo University of the Arts, University Hall, Tokyo

2013

• Solo Exhibition “Life Drawing”, Ouchi Gallery, NY

2014

• Participated in “Art Award Tokyo Marunouchi 2014”, Gyokochika Gallery, Tokyo
• Solo Exhibition “Kiss”, JIKKA, Tokyo
• Group Exhibition “Mitsukoshi x Tokyo University of the Arts Summer Art Festival 2014: Young Artists’ Exhibition: Leading the Next Generation”, Mitsukoshi Nihonbashi Main Store, Tokyo
• “Shibukal Festival 2014”, Parco Museum, Shibuya PARCO, Tokyo
• “TOKYO DESIGNERS WEEK ・ SHOP ART WALK”, Pretty Ballerinas AOYAMA, Tokyo

2015

• Solo Exhibition “ERI UEMURA”, eatable, Tokyo
• Group Exhibition “In Focus 6: Current Status of Graduates”, MOU Onomichi City University Museum of Art, Hiroshima

2018

• Participation in zine fair, Wetland venue, Taipei

2023

• Group Exhibition “ART KAMIYAMA”, Aso Residence, Tokyo

Instagram
https://www.instagram.com/eri_uemura

Eri Uemura Solo Exhibition “Picking up My Bones”

Dates：January 24 (Fri.) – February 7 (Fri.), 2025 *Closed on Sundays and holidays
Hours：11:00-18:00
Venue：GARDE Gallery (NBF ALLIANCE Bldg. 4F, 5-2-1 Minami Aoyama, Minato-ku, Tokyo)
Admission：free
URL：https://www.art-adf.jp/?sl=en

On November 7, 2024, GARDE’s President and Representative Director, Kenji Muro, participated in a special talk session hosted by Forbes JAPAN SALON at “Hyatt House Tokyo Shibuya,” located within the Shibuya Sakura Stage complex. This facility, which has already garnered significant attention, is part of the once-in-a-century large-scale redevelopment project underway in the central Shibuya Station area. The session brought together professionals from the fields of architecture, design, and business for a valuable exchange of ideas on the future of urban development.

During the talk session, Kenji Muro was joined on stage by Kazumasa Tarumoto from Tokyu Fudosan Holdings Corporation, who was involved in the project’s development. Together, they discussed the significance of the Shibuya redevelopment project and the role of design, drawing from their extensive involvement in master planning, design supervision, and art coordination for the common areas and guest rooms. Under the salon’s theme, “From Tokyo to the World, From the World to Tokyo,” they shared insights gained through the creation of this new Shibuya landmark and their vision for the future.

A key topic of discussion was the “dual nature of Shibuya.” Muro noted, “Shibuya embodies two sides: one as a vibrant, bustling entertainment district, and the other as a place where tradition and tranquility persist.” He explained how their design approach focused on leveraging this duality, aiming to create spaces that combine advanced, dynamic designs symbolizing Shibuya’s energetic spirit with elements that evoke warmth and calm. The goal was to craft spaces that resonate with a diverse audience. Tarumoto also highlighted the influence of urban development in Shibuya, emphasizing that this duality is a crucial element in presenting Shibuya to the world.

Following the session, a networking event was held in the venue’s restaurant, where participants enjoyed a fusion of French and Japanese cuisine in a relaxed atmosphere. Discussions delved into the design philosophies behind GARDE’s projects and the integration of Shibuya’s dual characteristics into the spaces. The event offered participants a deeper understanding of the vision and charm behind the new landmark, “Hyatt House Tokyo Shibuya.”

GARDE expressed pride in being involved in such a significant project in Shibuya and reaffirmed its commitment to contributing to the creation of new value both in Japan and internationally.

About Forbes JAPAN SALON

Forbes JAPAN SALON serves as a platform where innovation and authenticity converge, bringing together executives and business leaders in a dynamic community.

Through monthly members-only events, the salon fosters deeper connections and provides opportunities for creating new business developments utilizing the Forbes JAPAN platform. It also aims to address social issues and generate the “next impact” for the future.

Website: https://forbesjapansalon.com/

GARDE attended the press event for Lladró Japan’s Autumn/Winter collection announcement, continuing its long-standing relationship with the brand. This season, Lladró showcased its 2024 Autumn/Winter collection at two of Japan’s premier design events: “DESIGNART TOKYO 2024” and “ELLE DECOR DESIGN WALK 2024.”

As a pioneer in porcelain art blending Spanish tradition with innovation, Lladró presented its new collection at COSENTINO CITY TOKYO under the theme “In & Out Space for Life: Interior & Exterior Decor from Spain.” A particular highlight was the limited-edition piece “You Choose One -150” by artist Javier Calleja, which captivated visitors with its playful characters such as “Boy,” “Devil Cat,” and “Angel Cat.” These unique creations bring a sense of whimsy through art. Other new pieces were also unveiled for the first time in Japan, showcasing Lladró’s exceptional craftsmanship and design, resonating deeply with attendees.

The event also featured an online conversation with Ms. Nieves, the Creative Director from Lladró’s headquarters in Valencia. Originally from Valencia, Spain, Ms. Nieves joined Lladró in 2019 and has since contributed to numerous creations. During the talk, she shared insights into her background and the inspirations behind her work, offering attendees a rare glimpse into the creative process. Her passion and deep affection for Spanish tradition provided a deeper understanding of Lladró’s pieces.

Following the event, guests enjoyed a special Spanish culinary experience, with tapas, paella, and wine served. This offered attendees not only a richer appreciation of the Lladró brand but also an enjoyable immersion into Spanish food culture.

―LLADRÓ―
A Spanish luxury porcelain art brand.
Since its founding in 1953, every Lladró piece has been meticulously crafted by hand at its workshop in Valencia. From design and modeling to carving, etching, and painting, a team of skilled artists and designers preserves the original techniques and craftsmanship, blending over 4,000 shades to transform porcelain into true works of art.

Lladró’s collections, including its special “High Porcelain” pieces, embody the pinnacle of artistry and are featured in prestigious art museums around the world. The brand also collaborates with renowned designers and contemporary artists to create modern art pieces, available in over 120 countries. Continuously evolving with the times, Lladró enriches lives by promoting a high-quality, sophisticated lifestyle.
Official WSebsite： https://www.lladro.com/

TOP Image ©Lladró

GARDE is celebrating its 40th anniversary by launching the “Metaverse Award for Regional Revitalization.” This award recognizes initiatives that contribute to the revitalization of local communities.

The award aims to support the growth of local economies and cultures by combining demand from local governments with the creative power of designers to promote regional attractions through metaverse technology. Creative ideas for regional revitalization will be accepted on the dedicated GARDE website starting November 1, 2024.

A New Stage of Local Revitalization

In recent years, local governments have faced numerous challenges, such as population decline, aging demographics, and shrinking local economies. Traditional approaches alone often fall short in addressing these issues, which is why new solutions leveraging digital technology—especially innovative technologies like the metaverse—are gaining traction. The metaverse allows local attractions to be showcased in virtual spaces, reaching a broader audience at a low cost.

Moreover, addressing local issues requires collaboration beyond local governments; it calls for the involvement of creative individuals with fresh perspectives and innovative ideas. Through this award, we believe local governments can gain new insights into solving challenges while benefiting from expertise in local branding and design perspectives. We aim to provide creators with opportunities to contribute to local regions by applying their creative talents, while also supporting the discovery and development of new talent.

Fusion of Local Revitalization and Metaverse

With the evolution of digital technology, the metaverse—a new virtual space—has attracted worldwide attention. The metaverse is more than a platform for entertainment and interaction; it holds the potential to create significant value for society, the economy, and regional communities. Regional revitalization faces numerous challenges, such as depopulation, stagnant local economies, and the preservation and promotion of traditional culture and natural resources. To address these issues, we must harness the power of digital technology to share local attractions globally and generate new value.

This project aims to leverage the metaverse platform to rediscover the appeal of rural areas in a digital space, creating new connections between suburban and urban areas—and even reaching audiences overseas. At GARDE, we aim to design spaces and experiences within the metaverse that embody the spirit of local regions, offering visitors an interactive and immersive experience. Through these experiences, we hope to inspire increased interest in rural areas and create new opportunities for in-person visits, allowing visitors to virtually engage with local culture, traditional crafts, and natural resources in a near-realistic way.

GARDE will explore the potential of metaverse technology by applying its extensive experience in luxury space design—gained mainly in urban centers—toward the revitalization of rural regions. This approach aims to offer a fresh perspective on metaverse projects, which currently report a 10% success rate, opening new avenues for regional revitalization. Our goal with this award is to drive innovation in regional revitalization by merging digital technology with creative ideas, contributing to solutions for local challenges. We are committed to supporting highly effective projects with potential collaborations with local governments.

For further information and application procedures, please visit the official website:
https://garde-metaverse-award.com/

“Regional Revitalization × Metaverse” Project Overview

●Call for Ideas●
The award invites ideas on a wide range of themes, including:

• Tourism Development
• Sports Promotion
• Sales of Specialty Products
• Promotion of Settlement
• VR Work Experience
• Other innovative ideas for regional revitalization

●Application Overview●
Theme: Proposals on achieving “regional revitalization” using “metaverse technology.”
Application Period: November 1, 2024 – April 30, 2025
Eligibility: Open to individuals or groups, with members high school age or older, residing in Japan as of November 1, 2024. All members of a group must meet these criteria, and joint applications require consent from all group members.
Entry Limit: Each applicant (individual or group) may submit only one entry, either independently or in collaboration with a municipality.
Application Requirements: Applicants must agree to the Rural Metaverse Award Application Guidelines when submitting.
Award Structure:
Grand Prize (1 winner): 3,000,000 yen
Outstanding Performance (1 winner): 1,000,000 yen
Local Government Prize (4 winners): 250,000 yen
Judging will primarily take place privately within GARDE. The award ceremony details will be announced later.

Official Award Website: https://garde-metaverse-award.com/

●Schedule●
Application Period Begins: November 1, 2024
Application Deadline: April 30, 2025
Winners Announcement: May 15, 2025
Award Ceremony (tentative): Late May – Early June 2025

♦Comment from Representative♦
“In recent years, the rapid evolution of digital technology has enabled new experiences that blend the real and virtual worlds. The metaverse, among these advancements, holds immense potential to surpass the concept of virtual space and become a platform for social and economic activities. Particularly in regional development, the metaverse draws attention as a tool that transcends geographical boundaries, promotes local attractions domestically and internationally, and creates new value.

At GARDE, our aim is to support new community and business models by crafting spaces within the metaverse that are deeply connected to local communities. Drawing on years of experience in spatial design, we launched this project to explore how local culture, climate, and traditions can be expressed in the metaverse to generate fresh value. This project not only contributes to local community creation but also seeks to identify future creators. Through encounters with innovators capable of generating boundary-breaking ideas and designs, we aspire to unlock new possibilities for showcasing regional appeal and elevating local areas in the digital space.”
— Award Producer, Misawa

From October 18 to November 2, 2024, GARDE Gallery is hosting a solo exhibition by contemporary artist Tomomi Taoka, titled “COODE ’24: FRUiTS JUICE DRINKS (+ OLD SPICES).”

Held at the gallery inside GARDE’s headquarters, which is known for its numerous art and spatial design projects, we spoke with Taoka about her creative process and her connection to fashion culture, a major influence on her work.
We also interviewed the exhibition’s curator, art critic Mare Isakari, who shared his expectations for this show.

The Importance of a “Present” That Embraces the “Future” in Lasting Art

Curator Mare Isakari began by explaining that because paintings endure for generations, it is important for them to continuously “reborn” as times change. He expressed his hope that people would focus on the “contemporary” aesthetics reflected in Taoka’s works, and through this exhibition, he wishes to bring her art to a wider audience.

What is the Origin of the Unique Concept of “Creating Paintings Through Coordination”

When creating her works, Taoka draws inspiration from Harajuku street fashion, where even items with little standalone value can gain significance through coordination. She applies this same concept to her art, combining paintings with three-dimensional objects or repurposing old works, using unconventional methods that break away from the traditional norms of painting.

No matter how far she strays from the conventional, Taoka explains that just as “clothing remains clothing,” her work is “still a painting in the end.” By updating traditional values, she presents her art in a way that doesn’t require specialized knowledge to appreciate, allowing each individual to enjoy it through their own personal sense of beauty.

These works, which possess a unique charm precisely because they break free from conventional boundaries, are best experienced in person. We invite you to visit the gallery during the exhibition period and fully immerse yourself in the art.
For more information on the artist’s profile and the exhibited pieces, please click here.

Tomomi Taoka Solo Exhibition “COODE ’24 : FRUiTS JUICE DRINKS (+ OLD SPICES)”

Dates: October 18 (Fri.) – November 2 (Sat.), 2024 (Closed on Sundays and holidays)
Hours: 11:00 – 18:00
Venue: GARDE Gallery (NBF ALLIANCE Building 4F, 5-2-1 Minami Aoyama, Minato-ku, Tokyo)
Admission: Free
URL: https://www.art-adf.jp/

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