Event

TOKYO MODE GAKUEN × GARDE Event Report “The Present and Future of Digital Development” — Digital × Fashion Award Interim Review

On Tuesday, October 21, TOKYO MODE GAKUEN hosted an open interim review for the Digital × Fashion Award, featuring presentations by current students and a panel discussion with metaverse experts. The event was held at Hall A within the main campus (Cocoon Tower) as part of an ongoing industry–academia collaboration with GARDE.

Following the pitch-style presentations of each student project, a panel discussion titled “The Present and Future of Digital Development” took place, moderated by Masahito Kamekawa from GARDE’s Metaverse Division.
Panelists included Emily Choi and Ami Kamiyama from CLO Virtual Fashion Japan G.K., a global leader in 3D simulation technology for the fashion industry, and Takuji Kakuda, CEO of Mondrian Inc., a strategic partner of GARDE’s Metaverse Division.

For the Digital × Fashion Award, students created 3D avatar fashion under the theme “Casual Party Wear for the Metaverse.” Ten selected works were presented for interim evaluation, accompanied by a digital audience vote conducted via Google Forms.
Based on these results, the works chosen in the final selection* will be implemented in a fashion show scheduled to be held within the online game “Fortnite.”
*The final judging is scheduled for late 2025.

The Future of Fashion Through Cutting-Edge 3D Simulation Technology

The presentations highlighted how 3D digital technology, once considered merely a production tool for apparel creation, is rapidly evolving through the integration of CLO’s advanced simulation systems.

This innovation enables apparel brands to operate 3D platforms as comprehensive systems, facilitating collaboration across marketing, product development, merchandising, PR, and sales. The discussion also examined the global expansion of this approach and its potential to reshape the fashion industry.
The event offered valuable insights not only for students preparing for creative careers but also for participating companies exploring new digital workflows.

In the past, even companies that invested heavily in 3D tools often reverted to traditional workflows or maintained isolated systems across departments, which hindered effective collaboration and marketing.
Today, state-of-the-art 3D simulation technology is driving a paradigm shift—from using these tools as standalone applications to implementing them as integrated, cross-functional systems.

Event Overview:
“The Present and Future of Digital Development” — Digital × Fashion Award Interim Review

Date: Tuesday, May 21, 2025 (Public event concluded)
Venue: TOKYO MODE GAKUEN Main Campus (Cocoon Tower) Hall A
TOKYO MODE GAKUEN Official Website: https://www.mode.ac.jp/tokyo
GARDE Official Website: https://www.garde-intl.com/
“COCO WARP” Metaverse Museum, Produced by GARDE: https://www.cocowarp.com/

Koichi Yamamura Gallery × GOCA by Garde — Event Report GOCA by Garde Returns Triumphantly from New York to Exhibit at “Tokyo Gendai 2025”

The international art fair Tokyo Gendai, where some of the world’s most notable contemporary art comes together under one roof, was held at PACIFICO Yokohama. Amid a lineup of world-renowned galleries from Japan and abroad, GOCA by GARDE, which arrived from New York, participated in collaboration with Koichi Yamamura Gallery, presenting and selling works by Yuken Teruya.

Based between Okinawa and Berlin, Teruya is an internationally acclaimed artist known for his witty and critical installations that explore themes such as Okinawa’s history, social systems, geopolitics, and consumerism. His works have been featured in prestigious museums and exhibitions around the world, including the Solomon R. Guggenheim Museum and the Centre Pompidou-Metz.

During the VIP Preview and Vernissage on September 11, art collectors and industry professionals gathered to explore the exhibits of all 66 participating galleries. The GOCA booth welcomed a large number of visitors and achieved strong sales results. We extend our heartfelt gratitude to everyone who visited and supported us at the event.


Tokyo Gendai 2025 Exhibition Overview (Exhibition Closed)

Dates: September 11 (Thu) – 14 (Sat), 2025
Venue: PACIFICO Yokohama
Official Website: https://tokyogendai.com/

GARDE and TOKYO MODE GAKUEN Launch Industry–Academia Collaboration “Digital Fashion Award” Officially Begins — Implementing Student Designs in Fortnite

GARDE and TOKYO MODE GAKUEN, a professional college that cultivates talent ready to excel in fashion, design, business, interior, graphic, and beauty industries, are launching the “Digital Fashion Award” as a new industry–academia collaboration project.
As the first initiative, a free event titled “The Present and Future of Digital Fashion Development” will be held at TOKYO MODE GAKUEN Hall A on Tuesday, October 21, 2025, alongside the preliminary judging for the award.

About the “Digital Fashion Award”

In recent years, the fashion industry has rapidly adopted the 3D development tool “CLO”. However, its use often remains limited to sample production or internal reviews, and has yet to be fully leveraged for new revenue opportunities such as marketing, e-commerce, or metaverse deployment.

Through this project, GARDE and TOKYO MODE GAKUEN aim to explore the potential for secondary utilization and monetization of digital assets, using the creativity of next-generation student designers as the foundation.

Under the theme “Casual Party on Metaverse” (avatar fashion for a casual party in the metaverse), approximately 80 student design sketches were submitted. Ten designs will be selected and converted into CLO data. During the event, participants will cast votes in an interim judging session.
The top five designs, chosen through audience voting, will be implemented in Fortnite, the online game operated by Epic Games, and unveiled in early 2026 through a virtual runway that fuses gaming and fashion. The grand prize-winning design will be decided from among these finalists.

Fortnite Official Website: https://www.fortnite.com/

Background of the GARDE × TOKYO MODE GAKUEN Collaboration

This initiative leverages the strengths of both institutions to highlight new possibilities for fashion in the age of the metaverse.
TOKYO MODE GAKUEN has developed an educational curriculum utilizing CLO to nurture practical digital fashion skills among students, broadening career paths beyond apparel into digital, gaming, and IT fields.

Meanwhile, GARDE, with 11 global offices and extensive experience in spatial design, has also been developing projects that merge physical and digital realms, such as the COCOWARP Virtual Museum. For this award, GARDE will oversee the Fortnite implementation and venue design, ensuring that garment details are faithfully reproduced.

By combining student creativity with GARDE’s technical expertise, the award goes beyond academic training to provide hands-on professional experience. It also offers students valuable exposure to industry partners while enabling the fashion sector to explore new models for digital asset utilization.

COCOWARP Official Website: https://www.cocowarp.com/

Panel Discussion: “The Present and Future of Digital Fashion Development”

The event will feature a panel discussion with leading voices from the metaverse industry, exploring the latest trends and opportunities in digital fashion development.

Traditionally, 3D data and development tools have been adopted primarily as cost-saving measures. This session will explore how these assets can instead be transformed into marketing and monetization tools in the metaverse era.

Key discussion points include:

  • “Are you leaving your 3D data unused within your company?”
  • “Have you struggled to see results from implementation and hesitated to take the next step?”

Panelists will share concrete strategies and business models for transforming digital fashion into a core revenue source, creating a cross-industry dialogue on fashion DX and the next stage of digital innovation.

Panelists: CLO Virtual Fashion Japan – Emily Choi, Ami Kamiyama
GARDE – Takuji Kakuda

Event Overview

Target Audience: Apparel companies; digital and metaverse-related businesses
Date: Tuesday, October 21, 2025
Time: 13:00–15:00 (Doors open at 12:50)
Venue: TOKYO MODE GAKUEN Hall A
Address: 1-7-3 Nishi-Shinjuku, Shinjuku-ku, Tokyo 160-0023
Access: https://www.mode.ac.jp/tokyo/access

Program:
12:50 Doors open
13:00 Opening remarks / Introduction of the TOKYO MODE GAKUEN × GARDE collaboration
Student presentations of award entries
13:30 Panel discussion: “The Present and Future of Digital Fashion Development”
14:10 Networking session / Interim judging for the award
14:50 Closing remarks

Program details are subject to change.

Participation Fee: Free
Registration Form: https://forms.gle/D6f323NEM65WchCs7

Please register via the form above. Registration will close once capacity is reached.

About TOKYO MODE GAKUEN
Located just three minutes on foot from Shinjuku Station, TOKYO MODE GAKUEN is a professional college that fosters industry-ready professionals across fashion, design, business, interior, graphics, and beauty.
With an industry-integrated curriculum, it has achieved a 100% job placement rate for 18 consecutive years (since FY2007).
Its three major guarantee systems — the “Complete Employment Guarantee,” “National Qualification Pass Guarantee,” and “Salary Guarantee” — demonstrate its confidence in student outcomes.
Website:https://www.mode.ac.jp/tokyo

GARDE Art Project: Akira Inumaru Solo Exhibition “Garden of Lights” — Capturing the Intense Energy of Light in Artworks —

From October 10 (Fri) to October 22 (Wed), 2025, GARDE Gallery will host “Garden of Lights,” a solo exhibition by artist Akira Inumaru.

Inumaru engages with the vast and universal theme of “light,” approaching it as a tangible substance through diverse forms of expression such as painting, drawing, performance, and installation. In recent years, his work has centered on two primary techniques: a series of drawings in which parts of images on paper are scorched using sunlight concentrated through a magnifying glass, and a series of paintings that reinterpret “color” as “light,” where pigments become “powder of light” and paints are imagined as “paste of light” by mixing pigments with acrylic resin.


We warmly invite you to take this opportunity to view the exhibition.

Artist Profile

Akira Inumaru
Born 1984, Tsukuba, Ibaraki Prefecture, Japan
2008 Completed Master’s Program in Oil Painting, Musashino Art University
2013 Completed Master Class at École Supérieure d’Art du Havre/Rouen
Currently based in Rouen and Paris, France
Solo Exhibitions
2024 Plantes, Witness of Light (Botanical Garden Greenhouse, Kraków, Poland)
2024 Chambres ardentes (Saint-Maclou Church, Rouen, France)
2023 Mon Cher Jardin (Château de Villandry, Villandry, France)
2022 Cimes et Racines (Church of Saint-Ouen, Rouen, France)
2022 Jardins flottants (Michel Ciry Museum, Varengeville-sur-Mer, France)
2018 Botanique (Luxembourg Garden Greenhouse, Paris, France)
2018 Langage des fleurs (MOCAK Museum of Contemporary Art, Kraków, Poland)
2016 Portrait des plantes (Municipal Botanical Garden, Rouen, France)
2015 Kata – D’une lumière à l’autre (Yves Klein Archives, Paris, France)
Group Exhibitions
2024 Spleen of Paris (Tichauer Art Gallery, Tychy, Poland)
2021 Star Makers (Foro Boario Center for Contemporary Art, Oristano, Italy)
2021 ROOTS (FLORE Arts Gallery, Kobe, Japan)
2018 Tatsuno Art Project in Kraków (Manggha Museum, Kraków, Poland)
2018 Pharmakon II (Sonen-an, Kyoto, Japan)
2013 Tatsuno Art Project 2013 (Tatsuno, Hyogo, Japan)
2013 Kofukuji International Art Exhibition (Kofukuji Temple, Nagasaki, Japan)
Awards
2022 Grant: Bourse Arts Visuels (Seine-Maritime Prefecture, France)
2019 23rd Antoine Marin Prize / 3rd Place
2015 Grant: Aide à la création (DRAC Haute-Normandie, France)
Selected Artist Residencies
2025 Katsurao Collective (Katsurao, Fukushima, Japan)
2024 Michel Ciry Museum (Varengeville-sur-Mer, France)
2015 Villa Calderón (Louviers, France)
2013 Tatsuno Art Project (Tatsuno, Hyogo, Japan)
2012 Tatsuno Art Project (Tatsuno, Hyogo, Japan)

Exhibition Information

Akira Inumaru: “Garden of Lights”
Dates: October 10 (Fri) – October 22 (Wed), 2025
Hours: 11:00 AM – 6:00 PM
Venue: GARDE Gallery, 4F ALLIANCE Building, 5-2-1 Minami-Aoyama, Minato-ku, Tokyo
Closed: October 18 (Sat), Sundays, and National Holidays

Artist Aya Kawato, who has attracted the attention of world-renowned fashion houses, will hold a new solo exhibition titled “Grids of Perception” at GOCA by Garde in New York, following her work at the Osaka-Kansai Expo Welcome Hall. Exhibition period: Thursday, September 4, 2025, to Saturday, October 25, 2025.

GOCA by Garde will present the first U.S. solo exhibition of artist Aya Kawato, titled “Grids of Perception,” at GOCA by Garde—the art gallery operated by GARDE—from Thursday, September 4, 2025, through Saturday, October 25, 2025.

Aya Kawato is an artist who explores the theme of “control and deviation” from a unique perspective within grid-like paintings. Drawing on her experience studying dyeing and weaving in Kyoto, as well as the influence of her father, a neuroscientist, she focuses on the relationship between vision and cognition. She captures the subtle “deviations” that inevitably arise from meticulous manual work as expressions of beauty, creating paintings that overlay grid structures with vibrant colors.

Kawato’s works evoke a gentle sense of dizziness in viewers through optical illusions and layers of color, opening up a new realm of tactile and warmly human geometric abstraction. Her creative process, blending traditional Japanese dyeing techniques with a neuroscientific perspective, has garnered high praise for its unique approach that transcends the boundaries of craft, science, and art.

Recently, Kawato has attracted attention both in Japan and abroad, serving as design director for a large-scale tapestry project at the Welcome Hall of the 2025 Osaka–Kansai World Expo. In addition, she has produced works for Chanel’s collection and created commissioned pieces for Longchamp, with her dynamic installations featured at “Longchamp La Maison Ginza” in Tokyo’s Ginza district and “Longchamp Vienna” in Austria, further broadening her international presence.


Highlights of the Exhibition

This exhibition will showcase approximately 20 works, including new paintings that investigate the relationship between control and deviation through abstract grid compositions. These works merge traditional Japanese dyeing and weaving techniques with concepts drawn from modern neuroscience, offering a compelling introduction to Kawato’s multifaceted artistic vision. By crossing the boundaries between visual art, craft, and science, Kawato invites viewers to reconsider the inherent instability and richness of perception itself. In addition, a prototype of the large-scale tapestry to be presented at the 2025 Osaka–Kansai Expo will also be on view.

Aya Kawato, CUT: C/U/T_mcdlv-mcxx_(w)_I, 2025, acrylic on wooden panel, photo: Takuya Oshima (Northern Studio)
Aya Kawato, CUO: C/U/O_mclxv-mclxv_(w)_II, 2025, acrylic on wooden panel, photographed by Takuya Oshima (Northern Studio)

Exhibition Overview

Title: Aya Kawato Solo Exhibition “Grids of Perception”
Period: September 4 (Thu), 2025 – October 25 (Sat), 2025
Address: GOCA by Garde, 515 W 23rd St, New York, NY 10011
Admission: Free
Official Website: https://www.goca.gallery/


Artist Profile

Aya Kawato
Born in Nara Prefecture in 1988. Resides in Kyoto Prefecture. Growing up with a father who is a neuroscientist, she developed a strong awareness of perceiving the world through the brain. After studying traditional Japanese dyeing and weaving in Kyoto, she participated in an exchange program at the École Nationale Supérieure des Beaux-Arts in Paris, and in 2019, she completed her doctoral studies in the Department of Advanced Artistic Expression at Tokyo University of the Arts.

Her work centers on abstract grid-like paintings that explore the theme of “control and deviation,” drawing on both traditional Japanese dyeing techniques and contemporary neuroscience. Recent solo exhibitions include Tokyo Opera City Art Gallery, Kyoto City KYOCERA Museum of Art, as well as exhibitions in Paris and Geneva. Additionally, in 2024, she participated in Colors: Unraveling the Secrets of Color from Impressionism to Contemporary Art at the POLA MUSEUM OF ART (Kanagawa); in 2023, Nippon Mania. Contemporary Art from Japan at Kunsthaus Kaufbeuren (Kaufbeuren, Germany); and in 2017, 2074, The World of Dreams at FIAC 2017 / Grand Palais (Paris, France), among many others.

Major collections include Chanel Co., Ltd. and the University of Tokyo Museum of Art. Major commissioned works include: 2025, Osaka-Kansai Expo Welcome Hall (Osaka); 2021, Longchamp Vienna (Vienna, Austria); 2020, Meta Open Arts Commission / Facebook (Tokyo); and 2019, Longchamp La Maison Ginza (Tokyo). Major awards include the 2018 Nomura Art Award from the Nomura Foundation; the 2017 2074, Dream World Grand Prix from the Colbert Committee and Tokyo University of the Arts; and the 2016 11th TAGBOAT AWARD Special Jury Prize, Tomio Koyama Award from TAGBOAT.
Official website: https://ayakawato.com/


GOCA by Garde

GOCA by Garde, an art gallery operated by GARDE, is located in New York’s Chelsea district and specializes in contemporary art from Japan and Asia. Through paintings, sculptures, and ceramics, the gallery introduces both emerging and established artists, aiming to promote cultural exchange and dialogue.

The Chelsea district is renowned as one of the world’s leading centers for art and culture, currently home to approximately 200 galleries showcasing a wide range of works, from exhibitions by renowned artists to experimental projects by emerging talents.

In this dynamic Chelsea setting, GARDE leverages its expertise in spatial design and its network of artists to create a space where art enthusiasts can gather and engage. We anticipate that the inspiration and possibilities born from GOCA by Garde will positively impact society through the power of art.

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