From Saturday, February 7 to Saturday, February 21, 2026, GARDE Gallery will host the solo exhibition “Things That Will One Day Be Scorched and Shine” by artist Isana Shinomiya.
This exhibition consists of a 50-minute film, a 140-page photobook, and exhibition panels that combine these elements. Photographs and moving images can convey “emotion” more intuitively than words. This work, Things That Will One Day Be Scorched and Shine, uses music instead of dialogue. It was created with the aim of forming an exhibition space that speaks in a “non-verbal way,” inspired by the perspective of a deaf girl.
Shinomiya, who has long woven narratives through photography and words, depicts memories drifting through light and shadow, and figures who, while carrying their wounds, continue to face forward.
Artist Statement
In 2022, I chose to take a sign language class as part of my general education at university. Among my friends was a senior who was deaf, and I began to feel that I wanted to communicate more deeply. Around that time, I started to want to create a story with a deaf girl as its protagonist, and I had opportunities to listen to the experiences of people directly involved.
While it is different from being unable to hear, I myself live with an illness. I often feel that my own world is cut off from the outside world, that my thoughts do not come across well, and there are many moments when I end up giving up on communication. The friends who reached out to me in those moments helped dismantle those barriers in many different ways. Their presence is reflected in the male character in this work.
In my previous works, I have often focused on the scars of the heart. In this new work, I wanted to go one step further and portray the act of cherishing those scars. And if there is someone who, for whatever reason, cannot step out into the world, I came to want to create a story that might gently help them take that first step.
Isana Shinomiya
Artist Profile
Shinomiya Isana
Photographer. Born and raised in Yokohama, Kanagawa Prefecture. Graduated from the Photography Seminar, Department of Art, Faculty of Expression, Wako University. In 2017, Shinomiya began taking photographs out of a desire to preserve her own sensibility as it changed with growth. From 2020, she started working seriously under the name Isana Shinomiya. Drawn to young girls who emit a sharp brilliance despite their incompleteness, she develops her practice around the theme of girlhood. In 2025, with the scars of the heart as her central concept, she directed her first film work.
“Things That Will One Day Be Scorched and Shine” Overview
Period: February 7–21, 2026
Hours: Weekdays 13:00–20:00; Saturdays & public holidays 11:00–20:00
Opening Reception: February 6, 2026 18:30–21:00
Venue: GARDE Gallery（ALLIANCE Building 4F 5-2-1 Minami-Aoyama Minato-ku, Tokyo）
Closed: Sundays
URL: https://www.art-adf.jp/?sl=en
Ushio Shinohara, Black on White, 2025. Acrylic paint on unstretched canvas, 72 x 96 in.
《Autumn Sunshine》（2025）
GARDE will present the group exhibition “Generations” by the Shinohara family—contemporary artists Ushio Shinohara, Noriko Shinohara, Alexander Kukai Shinohara—at GOCA by Garde, the art gallery operated by GARDE. The exhibition will open on Thursday, January 8, 2026.
GOCA by Garde is GARDE’s first overseas art gallery, showcasing a diverse range of works including
paintings, sculptures, and ceramics, with the aim of introducing Japanese and Asian artists to the world. It seeks to become a new cultural hub for promoting contemporary art from Japan and Asia on a global scale.
The exhibition commemorates the first anniversary of GOCA by Garde’s opening and marks the first collaborative exhibition in New York since 2014 to feature all three members of the Shinohara family together.
From postwar Japanese art to the present day, Ushio Shinohara has pursued an active career spanning Japan and the United States.
Noriko Shinohara has developed her own distinctive mode of expression alongside him, while Alexander Kukai Shinohara explores new forms shaped by urban culture and contemporary sensibilities.
By bringing the works of these three artists together in a single space, the exhibition reveals something that transcends a conventional retrospective or family show: the inheritance and transformation of the creative act itself.
Promotional Video
Credit: Kamran Rosen
A “family” as a form of expression, coexisting around the axis of creative practice.
The Shinohara family has long pursued their artistic practice in environments where life and creation are inseparable—from their artist loft in SoHo to their current home and studio in Brooklyn’s DUMBO. This exhibition raises questions not about bloodlines or generational frameworks themselves, but about how creative environments, physicality, and narratives are shared, inherited, and continually renewed.
Through the intersection of each artist’s distinct personality and perspective, the avant-garde spirit of postwar Japanese art, feminist narratives rooted in personal history, and contemporary expressions shaped by urban culture converge within a single space. This convergence brings to life the layered dimensions of time evoked by the title, Generations.
Highlights of this exhibition
・Ushio Shinohara
One of the leading avant-garde artists of postwar Japanese art, Shinohara was a key member of the Neo-Dadaism Organizers and exerted a decisive influence on Japan’s art scene in the 1960s. From 1969 onward, he has been based in New York, continuing his practice within the postmodern art scene.
This exhibition centers on Shinohara’s new work Black on White (2025), created to commemorate the first anniversary of GOCA as the artist turns 94 during the exhibition period. In addition, the exhibition presents works from his iconic “Boxing Painting” series, along with sculptures.
・Noriko Shinohara
《Aurora — or Fjord — ?》（2025年）
A painter and printmaker known for the Cutie & Bullie series, which reflects his life experiences. In this exhibition, through recent and newly created works, she presents an expressive space where everyday life and memory, personal experience and fiction intersect.
・Alexander Kukai Shinohara
Incorporating urban found materials and sensibilities drawn from street culture, he creates paintings and sculptures that combine figuration with narrative depth. While grounded in an expressive lineage inherited from his parents, his works are imbued with a contemporary sense of speed and energy.
《 Untitle 》（2017年）
Exibition Overview
Title:「Generations」
Date: January 8, 2026 (Thursday) to February 19, 2026 (Thursday)
Address: GOCA by Garde 515 W 23rd St, New York, NY 10011
Admission Fee: Free
Official Site：https://www.goca.gallery/
Artist Profile
Ushio Shinohara
Ushio Shinohara is a Brooklyn-based painter and sculptor and one of the leading avant-garde figures of postwar Japanese art. As a founding member of the Neo-Dadaism Organizers, he made a powerful impact on Japan’s art scene in the 1960s. In 1963, he was among the first Japanese artists to adopt Pop Art techniques, presenting his Imitation Art series. By critically referencing the works of artists such as Jasper Johns and Robert Rauschenberg, he developed a distinctive artistic language that bridges Japanese and American art movements.
After relocating to New York in 1969, he developed a series of figurative and highly energetic works, including his iconic cardboard motorcycle sculptures. From the 1960s onward, he pursued his signature Boxing Painting series, in which sponges attached to boxing gloves were soaked in paint and used to strike the canvas. By transforming physicality and the act of creation itself into art, this practice established his international reputation.
He continues to sustain a vigorous creative drive, producing dynamic works that range from public spaces to intimate, private contexts. His works are held in the collections of—and exhibited at—major museums and institutions worldwide, including the Museum of Modern Art (MoMA) in New York, the Metropolitan Museum of Art, Guggenheim Abu Dhabi, M+, the National Museum of Modern Art, Tokyo, the National Museum of Modern Art, Kyoto, and the Japan Society in New York.
Noriko Shinohara
Noriko Shinohara is a contemporary painter and printmaker known for her distinctive visual language that weaves together narrative, humor, and her own life experiences. Born in Toyama Prefecture, she moved to New York in 1972 to study art and has continued her artistic practice there ever since.
In her signature Cutie & Bullie series, which she began in 2003, Shinohara employs comic-style imagery and semi-autobiographical characters to candidly and lightly depict her artistic independence, her relationship with her husband Ushio Shinohara, and the conflicts and everyday realities surrounding creative life. This body of work has been highly regarded for elevating personal narratives into a universal perspective.
In her more recent work, Shinohara has developed a more fantastical and poetic worldview, drawing on motifs from her own memories and dreams, as well as scenes from everyday life and animals in her immediate surroundings. She was selected for the New York International Print Competition New Prints in both 2003 and 2005, and in 2007 participated in the exhibition Making a Home: Japanese Contemporary Artists in New York at the Japan Society Gallery. Her works are included in the collection of the Davis Museum and Cultural Center at Wellesley College.
Alexander Kukai Shinohara
Alexander Kukai Shinohara is an artist whose paintings and sculptures are rooted in figuration and narrative, incorporating sensibilities drawn from street culture and the urban environment. Based in Brooklyn, he has developed a distinctive artistic language while sharing a studio in DUMBO with his parents, artists Noriko Shinohara and Ushio Shinohara.
After graduating from the Rhode Island School of Design (RISD), he began creating sculptural works using found urban materials such as discarded cardboard, electrical wiring, industrial plastics, and newspapers, alongside paintings characterized by neon colors and dynamic, gestural brushwork. Motifs such as skateboards and motorcycles—symbols of speed, consumer culture, and memories of urban life—are distilled into deeply personal narratives throughout his work.
In 2009, he was selected for the exhibition New Tale of Our Age (co-curated by Midori Yoshimoto and Irene Wang) at the Visual Arts Center in Summit, New Jersey, and has since continued to exhibit his work in both the United States and Japan. In 1992, he received the Mark Rothko Award, sponsored by The New York Daily News and the Mark Rothko Foundation.
GARDE will present the group exhibition “Sprouting in GreenPoint” at GOCA by Garde—the art gallery operated by GARDE—from Thursday, November 20 through Saturday, December 20, 2025.
This exhibition features works by seven artists who honed their skills at MATSUYAMA STUDIO, led by internationally renowned contemporary artist Tomokazu Matsuyama, based in New York. Through the creations of these New York–based artists, the exhibition showcases the creative energy nurtured at MATSUYAMA STUDIO and the expanding expressive horizons of a new generation.
MATSUYAMA STUDIO is known not only as Tomokazu Matsuyama’s creative base but also as a place where emerging artists refine their international perspectives and skills. Many have launched from this environment onto the global stage. This exhibition marks the moment when the next generation of talent, inheriting this artistic legacy, steps out of the studio to shine with their own light.
The title “Sprouting in GreenPoint” reflects Greenpoint, Brooklyn, New York, where MATSUYAMA STUDIO is based—a neighborhood rich in diversity and creativity. “Green” symbolizes youth, vitality, and growth, while “Point” represents a starting point or focal point. Together, the words capture the moment when artists take root and begin their journey toward the future. Talent nurtured in Greenpoint spreads across the globe, and the artists shaping the next era grow with energy and vigor—this title embodies that hope and dynamism.
Through this exhibition, GOCA by Garde celebrates and supports the creative journeys of young Japanese artists trained at MATSUYAMA STUDIO, providing them with a platform to share their work with the world.
About MATSUYAMA STUDIO
Based in New York, Matsuyama Studio is a world-renowned contemporary art studio led by artist Tomokazu Matsuyama. The studio recruits emerging artists as members of its production and design team, providing ongoing support to help them eventually succeed as independent visual artists. To this end, the studio opens its space beyond regular working hours and on weekends, fostering an environment where staff can freely pursue their own creative projects. Additionally, by planning and hosting exhibitions for its affiliated artists, the studio provides opportunities to showcase their work and actively promotes their art to the media.
Official Website: https://www.matzu.net/
Title: “Sprouting in GreenPoint”
Dates: Thursday, November 20 – Saturday, December 20, 2025
Venue: GOCA by Garde, 515 W 23rd St, New York, NY 10011
Admission: Free
Official Website: https://www.goca.gallery/
Artist Profile
Mariko Fujimoto
Born in Tokyo in 1991, Mariko Fujimoto graduated from Tama Art University in 2014 with a major in oil painting and relocated to New York in 2021. Her work explores themes of memory, emotion, and shifts in perspective within everyday life. Based in both Tokyo and New York, she has held two solo exhibitions in Tokyo and three in New York. She has also participated in numerous group exhibitions, including Parallel City – 6 Artists, 1 Studio, Infinity Worlds (2025) at FOAM CONTEMPORARY in GINZA SIX. Her works are included in collections such as the Hirosaki Museum of Contemporary Art.
Instagram: https://www.instagram.com/mariko_fujimoto/
Tsukasa Kanawa
Born in Komaki City, Aichi Prefecture, Tsukasa Kanawa is based in Brooklyn, where he explores the interplay of rhythm, light, sound, time, and space on canvas, drawing inspiration from club culture. His style, which involves improvising with color and light much like a DJ manipulates sound, has garnered considerable attention. His works are included in the collection of the Hirosaki Museum of Contemporary Art.
Instagram: https://www.instagram.com/tsukasa_kanawa/
Kazuki Onohara
After working on background art for traditional Japanese theater—including Kabuki, Bunraku, and Kyogen—Kazuki Onohara relocated to New York in 2021. He creates symbolic works exploring the theme of “invisible entities” through contemporary motifs and continues to challenge himself with new artistic styles.
Instagram: https://www.instagram.com/kazuki_onohara
Ryuichiro Kawaue
Ryuichiro Kawaue graduated from the Faculty of Arts and Culture at the University of Toyama in 2018 and has been based in New York since 2023. His work explores the boundary between thought and sensation, capturing subtle moments of daily life through a philosophical lens and reinterpreting them as paintings.
Instagram: https://www.instagram.com/kawaue_ryu/
Hosanna E. Amemiya
After graduating from Tama Art University, Hosanna E. Amemiya relocated to New York. He adapts his artistic style to diverse themes and actively exhibits his work both in the United States and internationally.
Instagram: https://www.instagram.com/ameee.art/
Gunoterre
Gunoterre graduated from Nihon University College of Art. After working in Tokyo, Gunoterre relocated to the United States. The work is characterized by delicate, predominantly white colors and reflects Japanese aesthetic sensibilities. Public art installations have been created at Otemachi Station and for long-established shops. In recent years, a new series has been developed that blends three-dimensional elements with two-dimensional surfaces, exploring themes of memory and regeneration.
Instagram: https://www.instagram.com/guno.terre/
Keiko Fukuda
Keiko Fukuda, born in Nagasaki Prefecture, creates colorful, texturally rich works inspired by animals, nature, dance, windows, and more. She is also active as a picture book author and art instructor. In 2025, she participated in a residency at Kinhouse Gallery in the United States.
Instagram: https://www.instagram.com/keikofukudart/
GOCA by Garde
GOCA by Garde, an art gallery operated by GARDE, is located in New York’s Chelsea district and specializes in contemporary art from Japan and Asia. Through paintings, sculptures, and ceramics, the gallery introduces both emerging and established artists, aiming to promote cultural exchange and dialogue.
The Chelsea district is renowned as one of the world’s leading centers for art and culture, currently home to approximately 200 galleries showcasing a wide range of works, from exhibitions by renowned artists to experimental projects by emerging talents.
In this dynamic Chelsea setting, GARDE leverages its expertise in spatial design and its network of artists to create a space where art enthusiasts can gather and engage. We anticipate that the inspiration and possibilities born from GOCA by Garde will positively impact society through the power of art.
The exhibition “Dégagé The Visual & Story Archive” by ballet wear brand unoa was held at GARDE Gallery in Aoyama, Tokyo.
Guided by the concept “Your spirit dances with joy,” unoa offers a range of wear from simple, timeless pieces to boldly expressive designs. From children who enjoy ballet as a hobby to professional dancers performing on the world stage, unoa creates wear that supports everyone who loves ballet. Through an integrated production process at its own atelier, the brand achieves both ease of movement and graceful lines.
Dancewear that beautifully showcases the body, uplifts the spirit, and transforms the atmosphere.
Creative Director Hiroko Unosawa shared in an interview:
“The ‘a’ in unoa stands for art, while ‘uno’ is derived from my surname. Above all, I focus on highlighting the beauty of the dancer’s body, ensuring comfort, and keeping the designs simple.
During my time as a dancer, maintaining motivation through daily lessons was essential. Because it’s a profession that demands such discipline, I found that seeing a beautiful reflection in the mirror lifted my spirits and changed the energy I projected.
I want to continue creating wear that supports dancers in this way and brings a sense of confidence and joy to everyone who wears it.”
We aim to share the richness and artistry of ballet beyond the boundaries of the dance industry.
Ms. Rina Kumano, President and CEO of Rinamond Co., Ltd., the company that has operated unoa since its founding, shared:
“Since the brand’s inception, our team has tirelessly refined each creation—bringing to life Director Unozawa’s sensibility as a ballet dancer, her devotion to beauty, and her artistic vision through continuous exploration and an uncompromising pursuit of quality.
Building on that foundation, we have delivered high-quality products that many customers truly cherish and incorporate into their daily practice.
Moving forward, we aim to continue evolving into a company that shares the richness and artistry of ballet beyond industry boundaries, connecting with people across diverse fields through our activities.”
Ballet culture is both an art form expressed through the body and a unique form of entertainment. At GARDE, whether through the operation of New York’s GOCA art gallery or various domestic and international projects, we frequently engage with art as both a visual expression and a spatial experience.
Ballet, as a visual art expressed through the body, has evolved over centuries by incorporating contemporary elements and now stands as a comprehensive art form that unites music, choreography, and stage design. Through conversations with the two directors and this exhibition, I came to understand that ballet wear plays a vital role in shaping the dancer’s body and enhancing the artistry of the performance.
As GARDE Gallery’s first ballet wear exhibition, we were honored to provide the space for this showcase. We are deeply grateful to all the visitors and everyone who supported the event, knowing that we were once again able to contribute to the promotion of the arts and culture.
Dégagé The Visual & Story Archive Exhibition Overview
Dates: Tuesday, October 28 – Friday, October 31, 2025 (Exhibition closed) Venue: ALLIANCE 4F, GARDE Gallery
5-2-1 Minami-Aoyama, Minato-ku, Tokyo
On Tuesday, October 21, TOKYO MODE GAKUEN hosted an open interim review for the Digital × Fashion Award, featuring presentations by current students and a panel discussion with metaverse experts. The event was held at Hall A within the main campus (Cocoon Tower) as part of an ongoing industry–academia collaboration with GARDE.
Following the pitch-style presentations of each student project, a panel discussion titled “The Present and Future of Digital Development” took place, moderated by Masahito Kamekawa from GARDE’s Metaverse Division.
Panelists included Emily Choi and Ami Kamiyama from CLO Virtual Fashion Japan G.K., a global leader in 3D simulation technology for the fashion industry, and Takuji Kakuda, CEO of Mondrian Inc., a strategic partner of GARDE’s Metaverse Division.
For the Digital × Fashion Award, students created 3D avatar fashion under the theme “Casual Party Wear for the Metaverse.” Ten selected works were presented for interim evaluation, accompanied by a digital audience vote conducted via Google Forms.
Based on these results, the works chosen in the final selection* will be implemented in a fashion show scheduled to be held within the online game “Fortnite.” *The final judging is scheduled for late 2025.
The Future of Fashion Through Cutting-Edge 3D Simulation Technology
The presentations highlighted how 3D digital technology, once considered merely a production tool for apparel creation, is rapidly evolving through the integration of CLO’s advanced simulation systems.
This innovation enables apparel brands to operate 3D platforms as comprehensive systems, facilitating collaboration across marketing, product development, merchandising, PR, and sales. The discussion also examined the global expansion of this approach and its potential to reshape the fashion industry.
The event offered valuable insights not only for students preparing for creative careers but also for participating companies exploring new digital workflows.
In the past, even companies that invested heavily in 3D tools often reverted to traditional workflows or maintained isolated systems across departments, which hindered effective collaboration and marketing.
Today, state-of-the-art 3D simulation technology is driving a paradigm shift—from using these tools as standalone applications to implementing them as integrated, cross-functional systems.
Event Overview: “The Present and Future of Digital Development” — Digital × Fashion Award Interim Review
