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Prince Smart Inn Kyoto Sanjo designed by GARDE

GARDE was involved in the conceptualization, basic planning, basic design, and supervision of the interior portion of Prince Smart Inn Kyoto Sanjo, which opened on April 4, 2022.

■Location, lobby design, and seamless service through the introduction of ICT/AI technology: these are the main features of the hotel

Prince Smart Inn Kyoto Sanjo is located within walking distance of Sanjo Station (Keihan Main Line) and Kyoto Shiyakusho-mae Station (Kyoto Municipal Subway Tozai Line), making it a very convenient location for both sightseeing and business purposes in the city.

The façade is inspired by a contemporary machiya and composed of a combination of Japanese lattice doors and protruding latticework, (indeed, characteristic features of a Kyoto machiya). Not showy, but with a sophisticated design and a beautiful sense of rhythm and movement, these elements evoke a sense of anticipation for a stay in Kyoto.

GARDE was able to design a simple and open space by creating a sense of seamlessness going from the hotel entrance to the lobby.

The lobby area, check-in area, and restaurant were also designed to become a single space. Combined with ICT and AI technology, GARDE has completed a comfortable space that matches space and functionality.

The interior design is based on the theme “learning from the past”. It features a collage and a gold leaf wall art by artists with ties to Kyoto; wood block art with images of the four deities (blue dragon, white tiger, red bird, and black tortoise) that protect the north, south, east, and west of Kyoto; and step seats that resemble the banks of the Kamo River.

Taken together, all these features create a one-of-a-kind space where visitors can feel the modern traditions, as well as cultural flavor unique to Kyoto. In other words, a first-hand experience of the sophistication of modern art design.

A new hotel was born in Sanjo, Kyoto, a popular destination visited by many people as a base for sightseeing, business, and other activities. While letting visitors feel the long history and culture of the city, this hotel offers a smart and functional space, all the while utilizing the latest technology.

■Design concept/keywords are “irregularity,” “nostalgia,” and “gap”.

The façade, a contemporary take on the traditional machiya, is designed to retain a sense of the world, while gently controlling the view. A “noren” screen (Japanese curtain-like screen) was installed to invite guests into a simple and modern lobby.

As you enter, a huge touch screen appears in front of you, and an earthen floor leads you to an automatic check-in counter… A stress-free, streamlined flow line suddenly leads to a courtyard reproducing a lush mountain forest, giving you a magical sensation as if you were looking at a painting.

 

 

 

 

■The theme for the design of the main space is “learning from the past”.

Non-organic and modern industrial materials such as concrete and deck plates are mixed with materials and furnishings such as bare lighting and old wood big tables that are more than 100 years old from lumbering, thus expressing the passage of time with warmth and nostalgia, as well as a sense of renewal.

 

 

 

 

■Spatial Design: Sanjo’s “learning from the past”

For this project, GARDE has collaborated with an artist with a deep connection to Kyoto. The spatial theme was Sanjo’s “learning from the past”, a place where traditions and culture are alive and sound.

By allowing artworks and expressions to coexist in the space, GARDE has created a place that stimulates the sixth sense, which cannot be summed up in a single word “art space”.

 ◆Project Members

Arata Saito GARDE esign Division, Design Department, Design Director, First Class Registered Architect

After working mainly on brand-name design and construction projects in Tokyo, he joined the Asia Pacific Division of the Hong Kong office in 2013. Mainly working within China and Southeast Asia, he designed the VIP area of K11 in Guangzhou, China, The Royal Park Canvas – Ginza 8 etc. He was involved in a wide range hospitality spaces as well as commercial spaces. In 2020, he returned to the Tokyo Head Office and continues to work mainly on overseas projects.

Makoto Otani GARDE Design Division, Large-scale Facility Design Department, Designe

After joining the company in 2016, he worked in the PM Section of the Brand Business Division, where he managed the interior design work for imported brands opening stores in Japan. In 2019, he joined the Design Section of the Brand Business Division, where he worked as a local architect for imported brands ranging from apparel to cosmetics. In 2021, joined the International Design Division, where he works as a designer on a variety of projects in Japan and abroad, focusing on apparel stores, large-scale commercial facilities, and hospitality design.

Artist #1. Nori Yokoyama  Art Director/Graphic Designer

A 2017 graduate from Graphic Design Department of Tama Art University. In that same year, Yokoyama has Established TANT Inc.He has been active in a wide range of fields including print media, web, video and space, focusing on art direction, graphic design, and illustration. Over his career, he has received numerous awards including DFA Design for Asia Awards, GOOD DESIGN AWARD, and Tokyo Business Design Award.  http://noriyokoyama.com/

 

 

 

 

●Comments from Mr. Yokoyama
Throughout Japan’s long history, Kyoto has especially been a symbol for Japanese culture.
In particular, the area around Sanjo is surrounded by great enthusiasm, where various cultures have long intersected with tradition as its base. It is a place that truly embodies the phrase “learning anew from the past,” and I wanted to paint a huge wall art that would convey this concept directly to visitors.
I printed, drew, collaged, and applied foil onto Kyo Washi, a Japanese paper. Calligraphy and art come from various historical backgrounds, and I included contemporary prints depicting entertainment and culture scenes, using popular paper, to reconstruct “Kyoto” as it was originally built: over a long period of time, and with an overwhelming amount of work.

Artist #2 Hitoshi Tetsuhiko  ASSOCIATED ARTS INC. representative/art director

Established Associated Arts, Inc. in 1991.
Based on his unique perspective of fusing architecture and art, Tetsuhiko has participated in art projects for public facilities, housing complexes, offices, educational facilities, hotels, hospitals, sports facilities, commercial facilities, etc. He has been involved in more than 300 projects as a producer and art director. Major projects include “Akita Prefectural University,” “Shinagawa Central Garden,” “Keio Plaza Hotel Aubade Hall,” “Gora Karaku, Hakone,” and many more.

http://www.a-arts.co.jp/

 

 

 

 

●Comment from Hitoshi
This artwork is based on Yurina Kira’s work “Stock213” and is customized for the theme of this exhibition by means of reconfiguration and resizing. The reason why we chose “building blocks” is that this shape makes us nostalgic for our childhood. On the other hand, we believe that piling up trees pays homage to the culture and city of Kyoto, which has existed for more than 1,000 years. This time, we used wood block art to represent the four deities that protect the north, south, east, and west of Kyoto (Genbu in the north, Suzaku in the south, Seiryu in the east, and Byakko in the west), as well as the Kyoto Imperial Palace. We hope that through our artwork, visitors will experience the wonder of Kyoto and the depth of Kyoto’s nostalgia, which respects cultural diversity while transforming the energy of each into equilibrium, harmony, and new values.

■Lobby/Restaurant Area Design: A mix of old and new, a space of difference, nostalgia, and separation

Gently reflecting on the Big Table, with a mosaic of old zelkova lumber more than 100 years old since its sawing, is the light from a chandelier made by LASVIT – a lighting fixture with a sculptural beauty created by traditional Bohemian crystal craftsmanship and innovative technology.

By meticulously calculating and accumulating the different snags and feels of the old and new in a beautiful mix, a unique space like no other has been created.

It is also GARDE’s hope that a new community will be nurtured from this place through the power of spatial design.

 

 

 

 

■Guest Room Design: A place for healing, it is the starting point of everyone’s stay in Kyoto.

The key visual effects by Prince Smart Inn brand are the sloping design on the floor and the interlocking wallpaper on the walls, designed to make the guestrooms look more spacious and stylish.
Additionally, the use of wallpaper with Higashiyama motifs gives guestrooms a Kyoto-Sanjo feel to it. GARDE has designed the rooms keeping in mind the theme of creating a space where guests can enjoy their stay in the historical city more actively than ever before, taking the simplicity of the rooms as a plus.

 

 

 

 

We hope that through our design, many people will come and go at Prince Smart Inn Kyoto Sanjo, and that this will become part of the new scenery (history) of Kyoto Sanjo and be written in its history.

◆ Prince Hotel “Prince Smart Inn Kyoto Sanjo”
This hotel is conveniently located in the center of Kyoto, an approximate 8-minute walk from Sanjo Station (Keihan Main Line), and a 5-minute walk from Kyoto Shiyakusho Mae Station ( Kyoto Municipal Subway Tozai Line).
The five-story guest room building has 137 guest rooms and is the next-generation hotel brand of Prince Hotel. It offers a modern machiya-style exterior, a contemporary and innovative lobby design with a Kyoto motif, and a seamless service through the introduction of ICT and AI technology.
This will be the second location in Kyoto City, following the Prince Smart Inn Kyoto Shijo Omiya, which opened on May 31, 2021.

◆About the Facilities
Official name: Prince Smart Inn Kyoto Sanjo
Location: 325 Maruya-cho, Sanjo-Agaru, Gokomachi-dori, Nakagyo-ku, Kyoto City
Site area: approx. 1,025.83 m2
Legal gross floor area: approx. 4,149.73 m2
Structure and scale: Steel-frame structure, 5 floors above ground
Completion of construction: January 31, 2022
Number of guest rooms: 137 (105 twin rooms / 32 double rooms)
Guest room area: 16.27 m2 ~ 25.98 m2
Ancillary facilities: Restaurant (66 seats *including lobby area), Laundry

Building Owner: KRD Maruyacho Development Tokutei Mokuteki Gaisha (Asset Manager; Kanden Real Estate Development Corporation (Kita-ku, Osaka))
Management: Seibu Prince Hotels Worldwide, Inc. (Head office: Toshima-ku, Tokyo)
Design and supervision: Toyo Sekkei Office, Inc. (Head office: Nakagyo-ku, Kyoto)
Design supervision: Shigerei Uoya Architectural Institute Inc. (Head office: Shimogyo-ku, Kyoto)
Construction: Tokyu Corporation Kansai Branch (Kita-ku, Osaka)
Interior supervision: GARDE Corporation (Head office: Minato-ku, Tokyo)
Photo:©Yohei Sasakura

◆Scope of work
Interior concept planning, basic interior planning, basic interior design, interior supervision

〝Candeo Hotel Kyoto Karasuma Rokkaku“, 〝Ningbo Hankyu, and〝Beijin Xidan JoyCity ”2F Jewelry Theme Zone″ all designed by GARDE were awarded in the “MUSE DESIGN AWARDS 2022”!

The MUSE DESIGN AWARDS were established in New York to honor creative and design professionals and is a well-known and well-recognized competition that is open globally.

It is organized by the International Awards Associate (IAA), which aims to promote excellence in various creative and design industries by providing a forum for professionals to compete against their peers.

The IAA maintains impartiality by having a review committee composed of industry professionals as well as by having an established evaluation criteria based on industry standards.

The mission of the judges is to seek out companies and individuals with exceptional talent that will become new benchmarks in their respective industries.

 

In 2022, more than 6,000 entries were received from all over the world, among which “Candeo Hotels Kyoto Karasuma Rokkaku” and “Ningbo Hankyu” designed by GARDE were awarded GOLD and “Beijing Xidan Joycity 2F Jewelry Theme Zone” was awarded SILVER.

 

■Features of each property…

The” Candeo Hotels Kyoto Karasuma Rokkaku” preserved and restored a valuable machiya (townhouse). It was the former Banke Residence, a tangible cultural property registered by the city of Kyoto. It does not simply make the old new, beautiful, and easy to use; but also, further optimizes the “completed design” (the optimal solution) at a high level.

 

Ningbo Hankyu” was designed to be an oasis where people can gather and spend time comfortably, and to transmit Japanese elements, not simply expressing traditional Japanese culture as it is, but sublimating it into a modern design.

 

The “Beijin Xidan JoyCity 2F Jewelry Theme Zone” was designed as a “BrandMix” space with a casual café space, rather than a classical space with a heavy emphasis on luxury like a conventional jewelry store.

 

We believe that winning the “MUSE DESIGN AWARDS 2022” serves as proof that GARDE’s originality, ingenuity, and thoroughness in design creation have been recognized around the world.

 

GARDE enters numerous national and international awards each year with the goal of spreading the word about the excellence of its space and design, even after the property design is completed.

 

・MUSE DESIGN AWARD official website:https://design.museaward.com/

“VMware Japan Office” designed by GARDE has been awarded the “iF DESIGN AWARD 2022”!

The iF DESIGN AWARD, sponsored by the Germany-based International Forum Design (Industrial Design Association), was established in 1953 and is well-known worldwide.

In 2022, more than 10,000 entries were received from over 60 countries, and 132 renowned design experts from over 20 countries selected outstanding designs based on the criteria of “IDEA,” “FORM,” “FUNCTION,” “DIFFERENTIATION,” and “IMPACT” to discover the next rising stars in the design world.

 

The new workplace for VMware Japan, designed by GARDE, was awarded the iF DESIGN AWARD 2022.

 

The concept of the space design is simple and understated yet projects future technology.   The design is inspired by a unique Japanese concept of uramasari, which has an inner richness, expression, and color that is hidden by a humble and unassuming exterior.

 

The concept is expressed by making the visitor area subtle and harmonious while the staff area is colorful and expressive.

This focus on flexibility and collaboration serves a role in inspiring and facilitating new ways of working.

 

GARDE enters numerous national and international awards each year with the goal of inspiring others with the excellence of our space and design well after the design is completed.

 

・iF DESIGN AWARD official websitehttps://ifdesign.com/en/winner-ranking/project/vmware-japan-office/348555

 

 

Four GARDE-designed properties won awards at the International Design Awards 2021!

The International Design Awards (IDA) was established in 2007 to discover, recognize, and promote excellence in architecture, interior, product, graphic, and fashion design from around the world.

The jury consists of professionals with more than 15 years of experience in their respective industries, and entries are judged randomly and anonymously to ensure fair and impartial judging.

The awards are not simply for beauty or artistic value, but also for innovation (providing new creations for the market or complementing/improving existing products and services), functionality (ease of use, safety, ease of maintenance), ergonomics (is it based on user-first principles?), durability (quality and longevity), and social impact (social benefits of the design), utility (does it meet the user’s objectives and needs), ecological compatibility (are potential environmental and ecological impacts addressed), production feasibility (technical and economic realities of production and large-scale use), Emotional Quotient / EQ (achievement of practical objectives and design enjoyment and satisfaction) the criteria are said to be wide-ranging and demanding, including the achievement of practical objectives and design enjoyment and satisfaction.

For such an award as the IDAs, four properties, “THE ME,” “Gurney Food Hall,” “VMware,” and “KL EAST MALL,” received Honorable Mentions. They were recognized for their originality and special design.

 

GARDE enters numerous national and international awards each year with the goal of spreading the word about the excellence of its space and design, even after the property design is completed.

 

■International Design Awards official website:https://www.idesignawards.com/

 

GARDE presented at MIPIM 2022 (Real Estate Professionals International Market Conference 2022), one of the world’s largest real estate events,

MIPIM 2022 was held at the Palais des Festivals in Cannes, France, from the 15th to the 18th of March.

MIPIM (Marché International des Professionnels de l’Immobilier) has been held since 1990, and is organized by Reed-Midem of France.

It is one of the world’s largest real estate trade fairs, attracting more than 3,000 exhibitors and 20,000 visitors every year from all over the world, especially from Europe and the Middle East.

It is a place where developers, architects, local governments, investors, and various other players in the real estate business from around the world gather to attract companies and investments, introduce, promote urban development technologies and know-how held by each country, and disseminate information and exchange opinions on real estate investment.

GARDE, which has been incorporated in Italy, participated in the event as a member of CLUB ITALIA for two days on March 16 and 17, giving a presentation at the Italy Pavilion.

The venue was filled with excitement, as this is one of the largest real estate events in the world,having been eagerly awaited since the 2021, the event was forced to be canceled due to Covid-19.

In the Japanese real estate industry, where inbound investment and overseas development of urban development are said to be regaining momentum, participating in the world’s largest real estate event, and interacting with real estate professionals from various countries was extremely valuable, and gave us the confidence to initiate the next phase of development.

■Events

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

■MIPIM official websitehttps://online.mipim.com/

 

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